{"title":"Video Cameras","description":"","products":[{"product_id":"boitier-video-canon-c100-mark-ii-seulement","title":"EOS C100 Mark II Cinema Camera - Body Only - Black","description":"The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.\u003cbr\u003e\u003cbr\u003eThe compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START\/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eCanon Super 35mm CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eCanon DIGIC DV 4 Image Processor\u003c\/li\u003e\n\u003cli\u003eSimultaneous AVCHD and MP4 Recordings\u003c\/li\u003e\n\u003cli\u003eSlow and Fast Motion Recording\u003c\/li\u003e\n\u003cli\u003eMP4 Conversion\u003c\/li\u003e\n\u003cli\u003eRedesigned 3.5-Inch OLED Panel\u003c\/li\u003e\n\u003cli\u003e1.23 Megapixel Tilting Colour EVF\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF\u003c\/li\u003e\n\u003cli\u003eFace AF Mode\u003c\/li\u003e\n\u003cli\u003e59.94p Frame Rate\u003c\/li\u003e\n\u003cli\u003eWireless FTP Video Transfer\u003c\/li\u003e\n\u003cli\u003eBuilt-In Microphone\u003c\/li\u003e\n\u003cli\u003eBuilt-In Canon Log LUT\u003c\/li\u003e\n\u003cli\u003eRed Record Buttons\u003c\/li\u003e\n\u003cli\u003eNew Ergonamic Re-Design\u003c\/li\u003e\n\u003cli\u003eOutstanding Low Light Sensitivity and Wide Dynamic Range\u003c\/li\u003e\n\u003cli\u003eFull Manual Control and Focusing Aids\u003c\/li\u003e\n\u003cli\u003eRemovable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic\u003c\/li\u003e\n\u003cli\u003eHDMI® Out with Time Code\u003c\/li\u003e\n\u003cli\u003eCanon RC-V100 Remote Controller\u003c\/li\u003e\n\u003cli\u003eCanon GP-E2 EOS GPS Receiver\u003c\/li\u003e\n\u003cli\u003eCanon Super 35mm CMOS Sensor\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThe EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite ? each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range.  Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon DIGIC DV 4 Image Processor\u003c\/strong\u003e\u003cbr\u003eThe four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of  YCC 422 HD components that have high MTF, improved edge transitions, low false colour moiré, and enhanced overall colour reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSimultaneous AVCHD and MP4 Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow and Fast Motion Recording \u003c\/strong\u003e\u003cbr\u003eThe EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e1.23 Megapixel Tilting Colour EVF\u003c\/strong\u003e\u003cbr\u003eLarger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel colour panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF \u003c\/strong\u003e\u003cbr\u003eA standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable \"run and gun\" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFace AF Mode\u003c\/strong\u003e\u003cbr\u003eFace AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e59.94p Frame Rate\u003c\/strong\u003e\u003cbr\u003eBy popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very \"smooth\" look that is useful for sports and news applications.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless FTP Video Transfer\u003c\/strong\u003e\u003cbr\u003eMP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In Microphone\u003c\/strong\u003e\u003cbr\u003eA monaural \"mono\" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eBuilt-In Canon Log LUT\u003c\/strong\u003e\u003cbr\u003eMany filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final \"look\". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) colour space. The Canon Log LUT feature can be turned on or off in the camera's menu.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRed Record Buttons \u003c\/strong\u003e\u003cbr\u003eThere are three start\/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard colour helps reduce the chance of accidentally stopping a recording. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Ergonomic Re-Design\u003c\/strong\u003e\u003cbr\u003eThe EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Low Light Sensitivity and Wide Dynamic Range\u003c\/strong\u003e\u003cbr\u003eThe combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 80,000 and a wide dynamic range with up to 12 stops.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFull Manual Control and Focusing Aids\u003c\/strong\u003e\u003cbr\u003eDigital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemovable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic\u003c\/strong\u003e\u003cbr\u003eThe removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel\/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eHDMI® Out with Time Code\u003c\/strong\u003e\u003cbr\u003eThe Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon RC-V100 Remote Controller\u003c\/strong\u003e\u003cbr\u003eAn optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon GP-E2 EOS GPS Receiver\u003c\/strong\u003e\u003cbr\u003eAn optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752721482027,"sku":"0202C002","price":3599.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/f12e38305d02fc09ad6775920d272123.jpg?v=1769751372"},{"product_id":"eos-c700-gs-pl","title":"EOS C700 GS PL Digital Cinema Camera - Body Only","description":"","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752732459307,"sku":"1789C002","price":39000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/3HMIq-muVcc60i8zmFEFVA_feefdd05-96d3-4997-85cd-11778e294b96.jpg?v=1769599570"},{"product_id":"camera-canon-eos-c200-cinema-ef-poignee","title":"Kit EOS C200 Digital Cinema Camera - Body Only with EVF","description":"The EOS C200 Digital Cinema Camera is a \"ready-to-go\" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon 8.85 Megapixel Super 35mm CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080\/60p recording. Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFully Compatible with New and Existing Canon EF-Mount Lenses\u003c\/strong\u003e\u003cbr\u003eA major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction. For those users who are accustomed to seeing the T-value displayed when using EF lenses for digital cinema, it is possible to switch the camera to display either the F-value or the T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Viewfinder with LCD Touch Panel, Camera Grip and Handle Unit\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering. Built-In Electronic Viewfinder The 0.46 inch, 1.77 million dot built-in electronic viewfinder has a full array of menu options for controlling camera settings, and supports HDR viewing. Touch Screen LCD Monitor (LM-V1) The fully adjustable and detachable, 1.23 million dot, 4-inch Touch Screen LCD Monitor works with Canon's exclusive AF technologies for easy monitoring and one-finger \"tap-focusing\" during shooting. Camera Grip (GR-V1) The new Rosette style camera grip makes rotating and removing the grip simpler, and features an improved ergonomic design to help steady and focus the camera. Handle Unit (HDU-2) This handle unit can be attached to the camera body without tools, and features a new handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual DiG!C DV 6 Image Processors\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data. The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images. Over Sampling HD Processing The EOS C200 features Over Sampling HD Processing*, a high-image-quality signal processing system that satisfies a broad spectrum of video production needs by effectively utilizing the abundant powers of 4K image expression in 2K (2048 x 1080) \/ Full HD (1920 x 1080) recording. * Over Sampling HD processing is not available with Cinema RAW Light recording or 120p\/100p. ISO Range of 100 to 102,400 Supported The EOS C200 supports an ISO range of between 160 and 25,600. That range expands to between 100 to 102,400 when the “Extended Sensitivity” is set on the camera. This range of ISO settings provide the user with more creative freedom. Low ISO values allow the user to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide the user with more flexibility in dimly lit situations. A 54db gain setting can also be set to achieve high sensitivity in dimly lit scenes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF Technology\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting. Continuous AF and Face Detection AF with all Canon EF Lenses* The EOS C200 has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C200 offers the ability to set the AF tracking speed (up to 10 steps) and sensitivity (up to 7 steps) to match the user’s preference. *Excluding manual focus lenses. Dual Pixel CMOS AF with Touch Focus Achieve faster focus with the included Touch Screen LCD Monitor (LM-V1), a new accessory with touch screen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive. Dual Pixel Focus Guide The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus. The camera also has a focus pre-set feature. Separate predetermined focus points can be selected and when the SET button is pushed, the lens will move focus from one mark to the other. This is especially useful when focusing in scenes with multiple subjects. AF Tuning A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal 4K RAW Recording with New Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high colour reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing. Cinema RAW Light files are about 1\/3 to 1\/5 the size of our standard RAW files. The smaller file size and reduced bit rate speeds up data transfer and allows internal recording to CFast™ cards. The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit\/12bit*2) maximizes retention of colour and dynamic range information, which is especially critical in HDR production. Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon's CRD software. Simultaneous Recording A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject. 4K video can be recorded to a CFast™ 2.0 card while recording 2K proxy video to an SD card. The smaller size of the 2K proxy file allows for easier editing. *1 Standard RAW: EOS C500\/EOS C300 Mark II\/EOS C700 camera RAW *2 12bit for 4K\/30p and under, 10bit for 4K\/60p and 50p. Each bit is efficiency optimized in consideration of visual properties.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal 4K UHD and Full HD Recording in MP4\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards. Double Slot Recording Mirror recording of 4K UHD\/Full HD MP4 image files to the camera's two SD slots is possible, saving time and effort of having to make copies of the data after recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull HD 120P \/ 100P Slow Motion Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p\/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional Workflow\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest colour fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable. MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority. The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems. Canon Log and Canon Log 3 The EOS C200 supports both Canon Log and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post production, the entire tonal range that the CMOS image sensor is capable of. Log workflow provides the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Canon Log 3 is ideal for professional end users that want to get the most out of the camera system, and provides the most versatility for post production when recording in camera. When using Canon RAW Light and Canon's RAW development software it is possible to additionally use Canon Log 2 allowing for a total of 15 stops of dynamic range out of the camera. Using this method requires additional post production time over other options, but gives the highest quality and flexibility for post. Wide DR Gamma The EOS C200 provides the Canon Wide Dynamic Range Gamma function that allows users to get many of the benefits of Canon Log Gamma while maintaining an 18% gray point similar to Rec. 709. By using this setting, users can maintain the full dynamic range of the sensor without the need for extensive post processing. Use of Wide DR Gamma can greatly reduce post production time while maintaining very high image quality. Canon Cinema RAW Development 2.0 Canon has developed a mature workflow for the EOS C200, Cinema RAW Development 2.0, which supports the new Cinema RAW Light format and is provided as a free download. In addition to new development process support, it also brings features from the previous release including support for HDR monitoring, Canon Log Gammas, ACES 1.0 and more. Canon RAW Plugin for Avid® Media Access Canon RAW Plugin 2.0 for Avid® Media Access is provided as a free download, which allows users to directly import Canon Cinema RAW data into an Avid Media Composer® system. This helps streamline the workflow, while enabling stress-free real-time playback and reducing file ingest wait time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHDR Viewing\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eACES 1.0 Support*\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports the Academy Colour Encoding System (ACES 1.0). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy. ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and colour choices made on set are accurately reproduced in post. ACES image display is supported in Canon's full line of 4K UHD Reference Displays. *0.7 is not supported\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Functions\u003c\/strong\u003e\u003cbr\u003eIn-Camera ND Filter The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera. The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired. RC-V100 Remote Control Support Camera settings can be accessed and controlled from a distance using Canon's RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200 through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance. Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses. Updated Browser Remote Functions Including Focus Support Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200 from a connected device (such as a pc, tablet or smartphone) by accessing the Browser Remote with a general-purpose browser. A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a compatible tablet or smartphone. Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible. A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another compatible device. GPS Receiver (GP-E2) The optional GPS Receiver GP-E2 is compatible with the EOS C200 and can be connected to the camera using a USB cable, providing location and time information that is recorded during shooting. The GPS Data helps support editing work and adds more useful information for archiving purposes.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752736325931,"sku":"2215C002","price":4499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/Qza5pTJ_GKK5CWbWsF5lRQ.jpg?v=1769598842"},{"product_id":"canon-eos-c200b-cinema-camera-boitier-uniquement-monture-ef","title":"EOS C200B Digital Cinema Camera - Body Only","description":"The EOS C200 Digital Cinema Camera is a \"ready-to-go\" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon 8.85 Megapixel Super 35mm CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080\/60p recording. Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFully Compatible with New and Existing Canon EF-Mount Lenses\u003c\/strong\u003e\u003cbr\u003eA major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction. For those users who are accustomed to seeing the T-value displayed when using EF lenses for digital cinema, it is possible to switch the camera to display either the F-value or the T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Viewfinder with LCD Touch Panel, Camera Grip and Handle Unit\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering. Built-In Electronic Viewfinder The 0.46 inch, 1.77 million dot built-in electronic viewfinder has a full array of menu options for controlling camera settings, and supports HDR viewing. Touch Screen LCD Monitor (LM-V1) The fully adjustable and detachable, 1.23 million dot, 4-inch Touch Screen LCD Monitor works with Canon's exclusive AF technologies for easy monitoring and one-finger \"tap-focusing\" during shooting. Camera Grip (GR-V1) The new Rosette style camera grip makes rotating and removing the grip simpler, and features an improved ergonomic design to help steady and focus the camera. Handle Unit (HDU-2) This handle unit can be attached to the camera body without tools, and features a new handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual DiG!C DV 6 Image Processors\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data. The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images. Over Sampling HD Processing The EOS C200 features Over Sampling HD Processing*, a high-image-quality signal processing system that satisfies a broad spectrum of video production needs by effectively utilizing the abundant powers of 4K image expression in 2K (2048 x 1080) \/ Full HD (1920 x 1080) recording. * Over Sampling HD processing is not available with Cinema RAW Light recording or 120p\/100p. ISO Range of 100 to 102,400 Supported The EOS C200 supports an ISO range of between 160 and 25,600. That range expands to between 100 to 102,400 when the “Extended Sensitivity” is set on the camera. This range of ISO settings provide the user with more creative freedom. Low ISO values allow the user to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide the user with more flexibility in dimly lit situations. A 54db gain setting can also be set to achieve high sensitivity in dimly lit scenes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF Technology\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting. Continuous AF and Face Detection AF with all Canon EF Lenses* The EOS C200 has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C200 offers the ability to set the AF tracking speed (up to 10 steps) and sensitivity (up to 7 steps) to match the user’s preference. *Excluding manual focus lenses. Dual Pixel CMOS AF with Touch Focus Achieve faster focus with the included Touch Screen LCD Monitor (LM-V1), a new accessory with touch screen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive. Dual Pixel Focus Guide The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus. The camera also has a focus pre-set feature. Separate predetermined focus points can be selected and when the SET button is pushed, the lens will move focus from one mark to the other. This is especially useful when focusing in scenes with multiple subjects. AF Tuning A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal 4K RAW Recording with New Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high colour reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing. Cinema RAW Light files are about 1\/3 to 1\/5 the size of our standard RAW files. The smaller file size and reduced bit rate speeds up data transfer and allows internal recording to CFast™ cards. The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit\/12bit*2) maximizes retention of colour and dynamic range information, which is especially critical in HDR production. Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon's CRD software. Simultaneous Recording A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject. 4K video can be recorded to a CFast™ 2.0 card while recording 2K proxy video to an SD card. The smaller size of the 2K proxy file allows for easier editing. *1 Standard RAW: EOS C500\/EOS C300 Mark II\/EOS C700 camera RAW *2 12bit for 4K\/30p and under, 10bit for 4K\/60p and 50p. Each bit is efficiency optimized in consideration of visual properties.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal 4K UHD and Full HD Recording in MP4\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards. Double Slot Recording Mirror recording of 4K UHD\/Full HD MP4 image files to the camera's two SD slots is possible, saving time and effort of having to make copies of the data after recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull HD 120P \/ 100P Slow Motion Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p\/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional Workflow\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest colour fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable. MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority. The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems. Canon Log and Canon Log 3 The EOS C200 supports both Canon Log and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post production, the entire tonal range that the CMOS image sensor is capable of. Log workflow provides the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Canon Log 3 is ideal for professional end users that want to get the most out of the camera system, and provides the most versatility for post production when recording in camera. When using Canon RAW Light and Canon's RAW development software it is possible to additionally use Canon Log 2 allowing for a total of 15 stops of dynamic range out of the camera. Using this method requires additional post production time over other options, but gives the highest quality and flexibility for post. Wide DR Gamma The EOS C200 provides the Canon Wide Dynamic Range Gamma function that allows users to get many of the benefits of Canon Log Gamma while maintaining an 18% gray point similar to Rec. 709. By using this setting, users can maintain the full dynamic range of the sensor without the need for extensive post processing. Use of Wide DR Gamma can greatly reduce post production time while maintaining very high image quality. Canon Cinema RAW Development 2.0 Canon has developed a mature workflow for the EOS C200, Cinema RAW Development 2.0, which supports the new Cinema RAW Light format and is provided as a free download. In addition to new development process support, it also brings features from the previous release including support for HDR monitoring, Canon Log Gammas, ACES 1.0 and more. Canon RAW Plugin for Avid® Media Access Canon RAW Plugin 2.0 for Avid® Media Access is provided as a free download, which allows users to directly import Canon Cinema RAW data into an Avid Media Composer® system. This helps streamline the workflow, while enabling stress-free real-time playback and reducing file ingest wait time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHDR Viewing\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eACES 1.0 Support*\u003c\/strong\u003e\u003cbr\u003eThe EOS C200 Digital Cinema Camera supports the Academy Colour Encoding System (ACES 1.0). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy. ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and colour choices made on set are accurately reproduced in post. ACES image display is supported in Canon's full line of 4K UHD Reference Displays. *0.7 is not supported\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Functions\u003c\/strong\u003e\u003cbr\u003eIn-Camera ND Filter The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera. The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired. RC-V100 Remote Control Support Camera settings can be accessed and controlled from a distance using Canon's RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200 through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance. Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses. Updated Browser Remote Functions Including Focus Support Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200 from a connected device (such as a pc, tablet or smartphone) by accessing the Browser Remote with a general-purpose browser. A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a compatible tablet or smartphone. Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible. A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another compatible device. GPS Receiver (GP-E2) The optional GPS Receiver GP-E2 is compatible with the EOS C200 and can be connected to the camera using a USB cable, providing location and time information that is recorded during shooting. The GPS Data helps support editing work and adds more useful information for archiving purposes.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752736489771,"sku":"2216C002","price":5299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/8kfLQtC79ngWF9kVkoI1aw.jpg?v=1769598951"},{"product_id":"camera-de-cinema-canon-eos-c700-plein-cadre-monture-ef-a-verrouillage-cinema","title":"EOS C700 FF EF Digital Cinema Camera - Body Only","description":"Canon’s new EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera’s full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options.\u003cbr\u003e\u003cbr\u003eThe EOS C700 FF is capable of ProRes and XF-AVC internal recording up to 4K to CFast cards. With the optional Codex CDX-36150 recorder, the EOS C700 FF is capable of recording 5.9K RAW up to 60 frames per second. When oversampling 5.9K in 4K\/UHD recording, moiré is suppressed and noise graininess improved, resulting in higher quality video compared to native 4K image capture. The EOS C700 FF also has a wide array of 2K\/UHD\/HD recording options, including recording up to 168 fps in 2K RAW in Super 16mm (crop) mode.\u003cbr\u003e\u003cbr\u003eThe camera includes Canon’s Dual Pixel CMOS AF (DAF) technology (EF mount only), and has an impressive dynamic range of 15 stops. Other key features of the EOS C700 FF camera system include Canon Log 2 and 3, Slow\/Fast Motion Recording, IP Streaming and support for ACES, SMPTE ITU-R BT.2100 (HDR) and User LUTs.\u003cbr\u003e\u003cbr\u003eThe rugged magnesium body was built with rounded edges and semi-circular sides behind the lens mount that hint at the Canon Cinema design legacy. The EOS C700 FF can be equally comfortable handheld, shoulder-mounted, on a tripod head, steadicam, gimbal rig, jib, crane or car mount. An optional professional grade OLED HD electronic viewfinder (EVF-V70) offers additional versatility. The camera is also compatible with a variety of lens configurations including anamorphic and B4 (with the optional MO-4E adapter).\u003cbr\u003e\u003cbr\u003eThe EOS C700 FF is also available in EF and PL mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew 5.9K Full Frame CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera offers a new full frame 5.9K CMOS sensor (38.1 x 20.1mm) with a 17:9 aspect ratio. In addition to full frame lenses, the camera can also be used with conventional Super 35mm lenses, and supports both anamorphic and spherical lenses. The sensor is capable of capturing footage in a wide variety of aspect ratios. The new sensor also offers exceptional low noise, as well as broad-ranging tonality that exceed 15 stops of dynamic range with a wide colour gamut. This helps the EOS C700 FF achieve more natural skin tones and a greater freedom in grading, expanding the possibilities for visual expression and offering outstanding effectiveness in HDR video production. The EF mount version of the camera also features Canon's Dual Pixel CMOS AF Technology.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModular Design for Versatile Shooting Configurations\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features a modular design which allows for a wide range of shooting applications, supporting a variety of workflows. The EOS C700 FF is a full size cinema camera allowing for both traditional studio style and handheld configurations. The camera body includes built in cheese plates with numerous 3\/8-16 and 1\/4-20 threaded holes on the top and bottom to easily attach accessories. The top handle attaches in a variety of positions in order to achieve optimum balance. The EOS C700 FF has an optional 0.7-inch OLED Electronic Viewfinder (EVF-V70). Canon's first professional grade viewfinder features Full HD 1920x1080 viewing, view assist and false colour. The EVF also has the ability to display an HDR simulated picture with a \"stretched\" dynamic range for increased shadow detail and highlight retention. Both sides of the camera can have redundant main displays with menus and controls. A built in control panel on the camera operator side allows quick access to the camera controls. Canon's optional new Remote Operation Unit OU-700 attaches to the camera's right side and mimics all the functions of the built-in Main Display. It conveniently flips up for access to the CFast and SD card slots. This allows for camera operation from both sides of the camera making camera adjustment easy for both operator and assistant. The intuitive six button layout of the menu system allows quick access to frequently used camera functions such as ISO, shutter, slow and fast motion, etc. and may instantly feel very familiar and comfortable to camera operators. Within each quick access function is the ability to access deeper menu options so complete camera control and customization is always accessible while the menu remains clean and easily usable. The EOS C700 FF can be used with an optional accessory Shoulder Support Unit SU-15 with industry-standard rosettes on each side and 15mm rods in front. The unit has a comfortable shoulder pad that consists of two sections that can adjust to fit the width of a camera operator's shoulder. Attaching the shoulder pad to the camera allows for easy handheld operation and still provides a quick release bottom to connect to a tripod. The EOS C700 FF power management system helps facilitate connecting with various third party accessories. The camera comes standard with a V-mount plate to accept common professional battery systems. External power supplies of +10 – 34 VDC plug into the camera via an industry-standard 4-pin XLR Style power connector. Camera accessories can be powered via a 24V DC 3-pin and a 12V DC 2-pin connector located on the front of the camera to help with cable management.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple Recording Formats\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF features a wide range of options to fit your particular workflow. With an optional Codex Recorder CDX-36150 attached, the EOS C700 FF can record 5.9K RGB Bayer RAW up to 60 fps, 4K RAW (Super 35mm crop) up to 72fps and 2K RAW (Super 16mm crop) up to 168 fps. ProRes and XF-AVC recording to CFast™ cards is also available, as is XF-AVC (Proxy) recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRAW Recording\u003c\/strong\u003e\u003cbr\u003eWith an optional Codex CDX-36150 Recorder attached, the EOS C700 FF can record 5.9K RGB Bayer RAW up to 60 fps, 4K RAW (Super 35mm crop) up to 72fps, and 2K RAW (Super 16mm crop) up to 168 fps. Controlled directly through the cameras menu system, the Codex CDX-36150 is attached to the EOS C700 FF by removing the battery plate at the rear of the EOS C700 FF and replacing it with the recorder. This modularity of the EOS C700 FF allows the recorder to be connected securely without wires and act like an integrated part rather than an external accessory. The rear of the Codex recorder has a battery plate with onboard Gold Mount battery connector. External power (10-32 VDC) can also be supplied to the 2-pin connector on the recorder body. The Codex Recorder allows recording not only 5.9K RAW, but also ProRes at significantly higher frame rates than internal CFast Cards. When recording, RAW files are saved as a .RMF frame sequence in an uncompressed format with no \"baked in settings.\" Clip development can then be easily adjusted in post using the downloadable Canon Raw Development (CRD) software. The CDX-36150 uses one Codex Capture Drive 2.0 (1 TB or 2 TB capacity), a familiar and commonly available professional recording media.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProRes Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF records Apple ProRes to CFast media and the optional Codex CDX-36150 Recorder. ProRes recording can help significantly reduce the time and cost of transcoding video files for delivery. Simultaneous dual CFast recording in ProRes is possible for creating an immediate backup.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon XF-AVC Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF can record XF-AVC to two CFast 2.0 card slots on the camera right side of the camera. XF-AVC and ProRes formats (along with metadata) can be simultaneously recorded to either or both CFast cards. Simultaneous recording is helpful, for example, where one card might go to the post house and the other could be stored safely in the production company's archive. Relay recording is also possible for situations where changing cards and losing precious seconds is not an option, such as live events, nature and documentaries.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon XF-AVC (Proxy) Recording\u003c\/strong\u003e\u003cbr\u003eAn 8-bit 4:2:0 Proxy XF-AVC file can be recorded to an SD card for immediate editing. The SD card can also capture JPEG still frames (2048x1080 or 1920x1080), metadata, menus and other information.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5.9K Oversampling for 4K\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera uses a high-quality debayering algorithm when over sampling 5.9K in 4K\/UHD recording to suppress moiré and improve noise graininess, resulting in high quality video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 2 and 3\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports Canon Log 2 and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post-production, the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and the full 15 stops of dynamic range of the sensor, it requires more post time. For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSMPTE ITU-R BT.2100 Support for PQ\/HLG Standard\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features the option to output HDR formats conforming to ITU-R BT.2100 over the monitor input, to assist in HDR production. ITU-R BT.2100 allows compatible monitors to simulate the HDR look of the final piece allowing for easier lighting and other technical decisions on set during the acquisition process. The optional Canon Electronic Viewfinder (EVF-V70) also allows for an ITU-R BT.2100 simulation mode to allow the camera operator to see HDR visuals close to what is supplied on the monitor signal. This can further facilitate creative decisions on set where HDR reference equipment and output devices might not be available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser LUT Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports User LUTs. Users can customize their own LUTs and load them on the camera for viewing and recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C700 FF can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy. Aces Proxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and colour choices made on set are accurately reproduced in post. Canon 17, 24 and 30-inch Reference Displays support ACES image display. The EOS C700 FF has four 3G-SDI outputs at the rear of the camera. So, while the Codex CDX-36150 records 5.9K RAW, the EOS C700 FF can simultaneously send the 5.9K image to a Canon Reference Display. The display debayers the RAW image and converts it to an ACES colour space and apply an appropriate LUT. In addition to ACES, Canon's DP-2420 and DP-V2411 Reference Displays support HDR, Canon Log3 and Hybrid Log Gamma.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features next generation Dual Pixel CMOS AF (DAF) Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. The EOS C700 FF has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C700 FF offers the ability to set the AF tracking speed and response. DAF also makes possible the Dual Pixel Focus Guide. Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus. A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move focus from one mark to the other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTriple DIGIC DV 5 Image Processors\u003c\/strong\u003e\u003cbr\u003e\"DiG!C\" is Canon's acronym for Digital Imaging Integrated Circuit. The EOS C700 FF Digital Cinema Camera uses three DiG!C DV 5 image processors to power the advanced features of the camera. DiG!C works in conjunction with other subsystems of the camera such as the lens and sensor, to support the various features and the image processing engine.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal ND Filters\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera. The camera uses an internal, all glass motorized ND unit. This combination of ND filters allows 2, 4 and 6 stops of ND in normal mode and 8 and 10 stops in extended mode.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF supports anamorphic format lenses by electronically desqueezing the image in the viewfinder and on connected monitors for viewing. On the sensor users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses that cover the full 16x9 area of the EOS C700 FF sensor. Popular 2x squeeze anamorphic lenses that cover a native 1.2:1 aspect ratio on the sensor can be used as well using a 4:3 cropped area of the sensor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntelligent Metadata \/ I\u003c\/strong\u003e\u003cbr\u003eIntelligent Metadata is Cooke Optics' open source technology of using encoders within the lens and contacts on the camera to display and record metadata with focus, iris, focal length, serial number and other helpful lens information. The EOS C700 FF PL is fitted with \/i contacts. The metadata can be helpful on set to display lens information on monitors. Camera assistants can see an immediate graphic representation of depth of field. Script supervisors can get instant updates of lens, focal length, distance and aperture. \/i Technology is used in VFX work for matching moves and determining lens parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eB4 Lenses\u003c\/strong\u003e\u003cbr\u003eTwo B4 mount adapters are available for the EOS C700 FF, B4 to EF adapter (MO-4E) and B4 to PL adapter (MO-4P). Canon's B4 mount adapter blows up the image slightly, resizing the 2\/3” image circle to approximately 1” to correspond with native HD resolution on the EOS C700 FF sensor. This design helps minimize light loss through the adapter, while maintaining depth of field and range of the 2\/3” lens. For power and control with B4 servo lenses the C700 FF features a 12-pin lens connector on the front of the camera body.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow and Fast Motion Recording\u003c\/strong\u003e\u003cbr\u003eIn addition to the 5.9K RAW 60P, the EOS C700 FF also features 4K (crop) recording up to 72 frames per second and a 2K (crop) mode featuring up to 168 frames per second.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIP Streaming*\u003c\/strong\u003e\u003cbr\u003eIP Streaming enables users to send their video online, in real time, as they shoot. It works with compatible IP decoders, IP streaming software and other devices for live streaming to video websites, news shows, video productions, post production facilities, editing rooms and broadcast stations. The EOS C700 FF supports MPEG2-TS with UDP, RTP, RTSP+RTP protocols. *IP streaming is not supported during 5.9K shooting. IP streaming is enabled only when camera mode is set to system frequency 59.94 \/ 50.00 (Hz), YCC, 16:9 (UHD \/ FHD (HD)).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless Remote Capabilities\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF can connect to a wireless network using a Canon wireless file transmitter (WFT-E6\/WFT-E8). Using the WFT Transmitter, users can operate the camera and view live images using a Wi-Fi® connected device with a compatible web browser.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGPS\u003c\/strong\u003e\u003cbr\u003eWhen an optional Canon GP-E1 GPS receiver is connected to the EOS C700 FF, GPS information can be added to the metadata. This is selected using the menu. GPS position (altitude, latitude, longitude) and time can be recorded where GPS service is available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Support\u003c\/strong\u003e\u003cbr\u003eCanon's RC-V100 Remote Controller plugs into the EOS C700 FF via an RS422 connector on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Accessories\u003c\/strong\u003e\u003cbr\u003eOLED Electronic Viewfinder EVF-V70, Remote Controller RC-V100, Shoulder Support Unit SU-15, Remote Operation Unit OU-700, Shoulder-Style Grip Unit SG-1, GPS GP-E1, Wireless File Transmitters WFT-E6\/WFT-E8.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752741765419,"sku":"3042C002","price":42899.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/qhU8Qk7dtbjoWI8XpqGvuA_b88e987b-7ba3-426f-9a94-bb3666db05bb.jpg?v=1769598844"},{"product_id":"eos-c700-ff-pl","title":"EOS C700 FF PL Digital Cinema Camera - Body Only","description":"Canon’s new EOS C700 FF top-end digital cinema camera features a full frame CMOS sensor designed to meet an extensive range of production needs. The camera’s full frame sensor provides higher resolution and produce footage with shallower depth of field than Canon cameras with Super 35 sized sensors, giving filmmakers a variety of creative options.\u003cbr\u003e\u003cbr\u003eThe EOS C700 FF is capable of ProRes and XF-AVC internal recording up to 4K to CFast cards. With the optional Codex CDX-36150 recorder, the EOS C700 FF is capable of recording 5.9K RAW up to 60 frames per second. When oversampling 5.9K in 4K\/UHD recording, moiré is suppressed and noise graininess improved, resulting in higher quality video compared to native 4K image capture. The EOS C700 FF also has a wide array of 2K\/UHD\/HD recording options, including recording up to 168 fps in 2K RAW in Super 16mm (crop) mode.\u003cbr\u003e\u003cbr\u003eThe camera includes Canon’s Dual Pixel CMOS AF (DAF) technology (EF mount only), and has an impressive dynamic range of 15 stops. Other key features of the EOS C700 FF camera system include Canon Log 2 and 3, Slow\/Fast Motion Recording, IP Streaming and support for ACES, SMPTE ITU-R BT.2100 (HDR) and User LUTs.\u003cbr\u003e\u003cbr\u003eThe rugged magnesium body was built with rounded edges and semi-circular sides behind the lens mount that hint at the Canon Cinema design legacy. The EOS C700 FF can be equally comfortable handheld, shoulder-mounted, on a tripod head, steadicam, gimbal rig, jib, crane or car mount. An optional professional grade OLED HD electronic viewfinder (EVF-V70) offers additional versatility. The camera is also compatible with a variety of lens configurations including anamorphic and B4 (with the optional MO-4E adapter).\u003cbr\u003e\u003cbr\u003eThe EOS C700 FF is also available in EF and PL mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew 5.9K Full Frame CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera offers a new full frame 5.9K CMOS sensor (38.1 x 20.1mm) with a 17:9 aspect ratio. In addition to full frame lenses, the camera can also be used with conventional Super 35mm lenses, and supports both anamorphic and spherical lenses. The sensor is capable of capturing footage in a wide variety of aspect ratios. The new sensor also offers exceptional low noise, as well as broad-ranging tonality that exceed 15 stops of dynamic range with a wide colour gamut. This helps the EOS C700 FF achieve more natural skin tones and a greater freedom in grading, expanding the possibilities for visual expression and offering outstanding effectiveness in HDR video production. The EF mount version of the camera also features Canon's Dual Pixel CMOS AF Technology.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModular Design for Versatile Shooting Configurations\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features a modular design which allows for a wide range of shooting applications, supporting a variety of workflows. The EOS C700 FF is a full size cinema camera allowing for both traditional studio style and handheld configurations. The camera body includes built in cheese plates with numerous 3\/8-16 and 1\/4-20 threaded holes on the top and bottom to easily attach accessories. The top handle attaches in a variety of positions in order to achieve optimum balance. The EOS C700 FF has an optional 0.7-inch OLED Electronic Viewfinder (EVF-V70). Canon's first professional grade viewfinder features Full HD 1920x1080 viewing, view assist and false colour. The EVF also has the ability to display an HDR simulated picture with a \"stretched\" dynamic range for increased shadow detail and highlight retention. Both sides of the camera can have redundant main displays with menus and controls. A built in control panel on the camera operator side allows quick access to the camera controls. Canon's optional new Remote Operation Unit OU-700 attaches to the camera's right side and mimics all the functions of the built-in Main Display. It conveniently flips up for access to the CFast and SD card slots. This allows for camera operation from both sides of the camera making camera adjustment easy for both operator and assistant. The intuitive six button layout of the menu system allows quick access to frequently used camera functions such as ISO, shutter, slow and fast motion, etc. and may instantly feel very familiar and comfortable to camera operators. Within each quick access function is the ability to access deeper menu options so complete camera control and customization is always accessible while the menu remains clean and easily usable. The EOS C700 FF can be used with an optional accessory Shoulder Support Unit SU-15 with industry-standard rosettes on each side and 15mm rods in front. The unit has a comfortable shoulder pad that consists of two sections that can adjust to fit the width of a camera operator's shoulder. Attaching the shoulder pad to the camera allows for easy handheld operation and still provides a quick release bottom to connect to a tripod. The EOS C700 FF power management system helps facilitate connecting with various third party accessories. The camera comes standard with a V-mount plate to accept common professional battery systems. External power supplies of +10 – 34 VDC plug into the camera via an industry-standard 4-pin XLR Style power connector. Camera accessories can be powered via a 24V DC 3-pin and a 12V DC 2-pin connector located on the front of the camera to help with cable management.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple Recording Formats\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF features a wide range of options to fit your particular workflow. With an optional Codex Recorder CDX-36150 attached, the EOS C700 FF can record 5.9K RGB Bayer RAW up to 60 fps, 4K RAW (Super 35mm crop) up to 72fps and 2K RAW (Super 16mm crop) up to 168 fps. ProRes and XF-AVC recording to CFast™ cards is also available, as is XF-AVC (Proxy) recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRAW Recording\u003c\/strong\u003e\u003cbr\u003eWith an optional Codex CDX-36150 Recorder attached, the EOS C700 FF can record 5.9K RGB Bayer RAW up to 60 fps, 4K RAW (Super 35mm crop) up to 72fps, and 2K RAW (Super 16mm crop) up to 168 fps. Controlled directly through the cameras menu system, the Codex CDX-36150 is attached to the EOS C700 FF by removing the battery plate at the rear of the EOS C700 FF and replacing it with the recorder. This modularity of the EOS C700 FF allows the recorder to be connected securely without wires and act like an integrated part rather than an external accessory. The rear of the Codex recorder has a battery plate with onboard Gold Mount battery connector. External power (10-32 VDC) can also be supplied to the 2-pin connector on the recorder body. The Codex Recorder allows recording not only 5.9K RAW, but also ProRes at significantly higher frame rates than internal CFast Cards. When recording, RAW files are saved as a .RMF frame sequence in an uncompressed format with no \"baked in settings.\" Clip development can then be easily adjusted in post using the downloadable Canon Raw Development (CRD) software. The CDX-36150 uses one Codex Capture Drive 2.0 (1 TB or 2 TB capacity), a familiar and commonly available professional recording media.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProRes Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF records Apple ProRes to CFast media and the optional Codex CDX-36150 Recorder. ProRes recording can help significantly reduce the time and cost of transcoding video files for delivery. Simultaneous dual CFast recording in ProRes is possible for creating an immediate backup.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon XF-AVC Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF can record XF-AVC to two CFast 2.0 card slots on the camera right side of the camera. XF-AVC and ProRes formats (along with metadata) can be simultaneously recorded to either or both CFast cards. Simultaneous recording is helpful, for example, where one card might go to the post house and the other could be stored safely in the production company's archive. Relay recording is also possible for situations where changing cards and losing precious seconds is not an option, such as live events, nature and documentaries.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon XF-AVC (Proxy) Recording\u003c\/strong\u003e\u003cbr\u003eAn 8-bit 4:2:0 Proxy XF-AVC file can be recorded to an SD card for immediate editing. The SD card can also capture JPEG still frames (2048x1080 or 1920x1080), metadata, menus and other information.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5.9K Oversampling for 4K\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera uses a high-quality debayering algorithm when over sampling 5.9K in 4K\/UHD recording to suppress moiré and improve noise graininess, resulting in high quality video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 2 and 3\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports Canon Log 2 and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post-production, the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and the full 15 stops of dynamic range of the sensor, it requires more post time. For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSMPTE ITU-R BT.2100 Support for PQ\/HLG Standard\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features the option to output HDR formats conforming to ITU-R BT.2100 over the monitor input, to assist in HDR production. ITU-R BT.2100 allows compatible monitors to simulate the HDR look of the final piece allowing for easier lighting and other technical decisions on set during the acquisition process. The optional Canon Electronic Viewfinder (EVF-V70) also allows for an ITU-R BT.2100 simulation mode to allow the camera operator to see HDR visuals close to what is supplied on the monitor signal. This can further facilitate creative decisions on set where HDR reference equipment and output devices might not be available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser LUT Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports User LUTs. Users can customize their own LUTs and load them on the camera for viewing and recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C700 FF can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy. Aces Proxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and colour choices made on set are accurately reproduced in post. Canon 17, 24 and 30-inch Reference Displays support ACES image display. The EOS C700 FF has four 3G-SDI outputs at the rear of the camera. So, while the Codex CDX-36150 records 5.9K RAW, the EOS C700 FF can simultaneously send the 5.9K image to a Canon Reference Display. The display debayers the RAW image and converts it to an ACES colour space and apply an appropriate LUT. In addition to ACES, Canon's DP-2420 and DP-V2411 Reference Displays support HDR, Canon Log3 and Hybrid Log Gamma.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF Digital Cinema Camera features next generation Dual Pixel CMOS AF (DAF) Technology. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. The EOS C700 FF has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C700 FF offers the ability to set the AF tracking speed and response. DAF also makes possible the Dual Pixel Focus Guide. Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus. A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move focus from one mark to the other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTriple DIGIC DV 5 Image Processors\u003c\/strong\u003e\u003cbr\u003e\"DiG!C\" is Canon's acronym for Digital Imaging Integrated Circuit. The EOS C700 FF Digital Cinema Camera uses three DiG!C DV 5 image processors to power the advanced features of the camera. DiG!C works in conjunction with other subsystems of the camera such as the lens and sensor, to support the various features and the image processing engine.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal ND Filters\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera. The camera uses an internal, all glass motorized ND unit. This combination of ND filters allows 2, 4 and 6 stops of ND in normal mode and 8 and 10 stops in extended mode.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF supports anamorphic format lenses by electronically desqueezing the image in the viewfinder and on connected monitors for viewing. On the sensor users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses that cover the full 16x9 area of the EOS C700 FF sensor. Popular 2x squeeze anamorphic lenses that cover a native 1.2:1 aspect ratio on the sensor can be used as well using a 4:3 cropped area of the sensor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntelligent Metadata \/ I\u003c\/strong\u003e\u003cbr\u003eIntelligent Metadata is Cooke Optics' open source technology of using encoders within the lens and contacts on the camera to display and record metadata with focus, iris, focal length, serial number and other helpful lens information. The EOS C700 FF PL is fitted with \/i contacts. The metadata can be helpful on set to display lens information on monitors. Camera assistants can see an immediate graphic representation of depth of field. Script supervisors can get instant updates of lens, focal length, distance and aperture. \/i Technology is used in VFX work for matching moves and determining lens parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eB4 Lenses\u003c\/strong\u003e\u003cbr\u003eTwo B4 mount adapters are available for the EOS C700 FF, B4 to EF adapter (MO-4E) and B4 to PL adapter (MO-4P). Canon's B4 mount adapter blows up the image slightly, resizing the 2\/3” image circle to approximately 1” to correspond with native HD resolution on the EOS C700 FF sensor. This design helps minimize light loss through the adapter, while maintaining depth of field and range of the 2\/3” lens. For power and control with B4 servo lenses the C700 FF features a 12-pin lens connector on the front of the camera body.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow and Fast Motion Recording\u003c\/strong\u003e\u003cbr\u003eIn addition to the 5.9K RAW 60P, the EOS C700 FF also features 4K (crop) recording up to 72 frames per second and a 2K (crop) mode featuring up to 168 frames per second.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIP Streaming*\u003c\/strong\u003e\u003cbr\u003eIP Streaming enables users to send their video online, in real time, as they shoot. It works with compatible IP decoders, IP streaming software and other devices for live streaming to video websites, news shows, video productions, post production facilities, editing rooms and broadcast stations. The EOS C700 FF supports MPEG2-TS with UDP, RTP, RTSP+RTP protocols. *IP streaming is not supported during 5.9K shooting. IP streaming is enabled only when camera mode is set to system frequency 59.94 \/ 50.00 (Hz), YCC, 16:9 (UHD \/ FHD (HD)).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless Remote Capabilities\u003c\/strong\u003e\u003cbr\u003eThe EOS C700 FF can connect to a wireless network using a Canon wireless file transmitter (WFT-E6\/WFT-E8). Using the WFT Transmitter, users can operate the camera and view live images using a Wi-Fi® connected device with a compatible web browser.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGPS\u003c\/strong\u003e\u003cbr\u003eWhen an optional Canon GP-E1 GPS receiver is connected to the EOS C700 FF, GPS information can be added to the metadata. This is selected using the menu. GPS position (altitude, latitude, longitude) and time can be recorded where GPS service is available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Support\u003c\/strong\u003e\u003cbr\u003eCanon's RC-V100 Remote Controller plugs into the EOS C700 FF via an RS422 connector on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Accessories\u003c\/strong\u003e\u003cbr\u003eOLED Electronic Viewfinder EVF-V70, Remote Controller RC-V100, Shoulder Support Unit SU-15, Remote Operation Unit OU-700, Shoulder-Style Grip Unit SG-1, GPS GP-E1, Wireless File Transmitters WFT-E6\/WFT-E8.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752741830955,"sku":"3043C002","price":42899.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/qhU8Qk7dtbjoWI8XpqGvuA.jpg?v=1769599657"},{"product_id":"eos-c500-mark-ii-boitier-seulement","title":"Canon EOS C500 Mark II Full Frame - Body Only","description":"Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom.\u003cbr\u003e\u003cbr\u003eThe lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.\u003cbr\u003e\u003cbr\u003eThe Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e5.9K Full Frame CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eSupport for Super 35mm and Super 16mm crop modes\u003c\/li\u003e\n\u003cli\u003eUser Changeable Lens Mounts\u003c\/li\u003e\n\u003cli\u003eNewly developed DIGIC DV 7 Image Processor\u003c\/li\u003e\n\u003cli\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/li\u003e\n\u003cli\u003eProxy Recording\u003c\/li\u003e\n\u003cli\u003eCompatibility with EF and PL Lenses\u003c\/li\u003e\n\u003cli\u003eAnamorphic Lens Support\u003c\/li\u003e\n\u003cli\u003eElectronic Image Stabilization\u003c\/li\u003e\n\u003cli\u003eModular Design with three available Expansion Units\u003c\/li\u003e\n\u003cli\u003e4.3” LCD Touch screen Monitor LM-V2\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF with support for Touch AF and Face Detection AF\u003c\/li\u003e\n\u003cli\u003eCanon Log 2 and 3 Support\u003c\/li\u003e\n\u003cli\u003e4 Channel Audio Recording\u003c\/li\u003e\n\u003cli\u003eSupport for Custom User LUTs\u003c\/li\u003e\n\u003c\/ul\u003eImpressive usability and imaging power combine in the EOS C500 Mark II, the customizable full-frame cinema camera that’s built for creative freedom. The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus. The EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user-changeable lens mounts enable operators to build their ideal cinema system.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5.9K Full Frame CMOS Sensor\u003cbr\u003eWith support for Super 35mm and Super 16mm crop modes\u003c\/strong\u003e\u003cbr\u003eThe Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions.\u003cbr\u003e\u003cbr\u003eThe Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNewly developed DIGIC DV 7 Image Processor\u003cbr\u003ePowerfully processes high-resolution image data\u003c\/strong\u003e\u003cbr\u003eThe EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/strong\u003e\u003cbr\u003eThanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1\/3 to 1\/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.\u003cbr\u003e\u003cbr\u003eWhen recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two new buttons S\u0026amp;F(Slow and Fast Motion) and S\u0026amp;F FPS (Slow and Fast Motion – Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.\u003cbr\u003e\u003cbr\u003eTo accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy Recording\u003c\/strong\u003e\u003cbr\u003eHigher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.\u003cbr\u003e\u003cbr\u003eCanon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser Changeable Lens Mounts\u003c\/strong\u003e\u003cbr\u003eGives users freedom to use the lenses they desire\u003cbr\u003eUser interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.\u003cbr\u003e\u003cbr\u003eThe EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e* Dependent on the mount the user has in place.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility with EF and PL Lenses\u003cbr\u003eWith optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own.\u003c\/strong\u003e\u003cbr\u003ePL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.\u003cbr\u003e\u003cbr\u003eUsing Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.\u003cbr\u003e\u003cbr\u003eThe amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2\/3” lensing options to be used with the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003cbr\u003eThe EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModular Design\u003cbr\u003eWith three available Expansion Units\u003cbr\u003eHigh level of connectivity \u0026amp; interoperability\u003c\/strong\u003e\u003cbr\u003eA new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF\u003cbr\u003eWith support for Touch AF and Face Detection AF\u003c\/strong\u003e\u003cbr\u003eThe Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much.\u003cbr\u003eDAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subjects current focus and direction to move in order achieve focus. When sharp focus is achieved the indicator turns green as a clear indication.\u003cbr\u003e\u003cbr\u003eTDAF can simulate a focus pull using preset locations. After setting two separate focus locations on screen, the cameras set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 2 and 3 Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e\u003cbr\u003eCanon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003cbr\u003e\u003cbr\u003eFor users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4 Channel Audio Recording\u003c\/strong\u003e\u003cbr\u003eWith Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for Custom User LUTs\u003c\/strong\u003e\u003cbr\u003eUsers can upload and apply custom LUTs to the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752759853355,"sku":"3794C002","price":14999.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/kBkLhEMWwuFVFaqdz6yKWg_c3b40840-21e2-4e47-93ee-280265965df6.jpg?v=1769599688"},{"product_id":"canon-eos-c300mark-iii-boitier","title":"EOS C300 Mark III Digital Cinema Camera - Body Only","description":"Impressive usability and imaging power combine in the EOS C300 Mark III, the customizable cinema camera that’s built for versatility and flexibility.\u003cbr\u003e\u003cbr\u003eThe lightweight body comes equipped with Canon's new Super 35mm Dual Gain Output (DGO) Sensor capable of over 16 stops of dynamic range. The DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as internal RAW recording, 4K 120p High Frame Rate recording, and Dual Pixel Autofocus.\u003cbr\u003e\u003cbr\u003eThe EOS C300 Mark III is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal system for cinema or broadcasting.\u003cbr\u003e\u003cbr\u003eCanon’s powerful, high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card. Then C300 Mark III can also apply LUTs to Proxy recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003cbr\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12G SDI\u003c\/strong\u003e\u003cbr\u003eSupport for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with support for Touch AF and Face Detection\u003c\/strong\u003e\u003cbr\u003eThe Cinema EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much.  DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003cbr\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS422) in both expansion unit EU-V1 and EU-V2.  Through these connectors, the EOS C300 Mark III can be completely remote operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat’s In The Box - EOS C300 Mark III\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eCanon C300 Mk III\u003c\/li\u003e\n\u003cli\u003eCanon EOS C300 Mark III Camera Body (EF Mount)\u003c\/li\u003e\n\u003cli\u003eCanon GR-V1 Camera Grip\u003c\/li\u003e\n\u003cli\u003eCanon LM-V2 4.3\" LCD Monitor\u003c\/li\u003e\n\u003cli\u003eCanon LA-V2 LCD Attachment Unit\u003c\/li\u003e\n\u003cli\u003eHandle Unit\u003c\/li\u003e\n\u003cli\u003eSS-1200 Shoulder Strap\u003c\/li\u003e\n\u003cli\u003eBattery Charger CG-A20\u003c\/li\u003e\n\u003cli\u003eCompact Power Adapter CA-CP200 B\u003c\/li\u003e\n\u003cli\u003eAC Power Cable US\u003c\/li\u003e\n\u003cli\u003ePower Cord US\u003c\/li\u003e\n\u003cli\u003eCanon BP-A60 Battery Pack For EOS C300 Mark II, C200, and C200B\u003c\/li\u003e\n\u003cli\u003eExtension Unit Attachment Bracket\u003c\/li\u003e\n\u003cli\u003eCanon UN-5 Unit Cable\u003c\/li\u003e\n\u003cli\u003e1\/4\" Hex Wrench\u003c\/li\u003e\n\u003cli\u003eM3 Hex Wrench\u003c\/li\u003e\n\u003cli\u003eM4 Hex Wrench\u003c\/li\u003e\n\u003cli\u003e1\/4\" Hex Socket Head Bolt\u003c\/li\u003e\n\u003cli\u003eM3 Hex Socket Head Bolt\u003c\/li\u003e\n\u003cli\u003eBolt Stopper\u003c\/li\u003e\n\u003cli\u003eThumbrest\u003c\/li\u003e\n\u003cli\u003eMicrophone Holder Unit\u003c\/li\u003e\n\u003cli\u003eM4 Screw for Microphone Holder Unit\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752759918891,"sku":"3795C002","price":11999.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/VlUFKJQtWmi9Z-ptWlVdpg.jpg?v=1769598953"},{"product_id":"canon-eos-c70-boitier","title":"EOS C70 Cinema Camera - Body Only","description":"Developed with an idea of combining the Cinema EOS series with the EOS R series, the new EOS C70 offers exceptional image quality and professional video features in a compact and mobile form factor, perfect for documentary, newsgathering, and corporate videos.\u003cbr\u003e\u003cbr\u003eThe EOS C70 is the first Cinema EOS camera with a built-in RF-lens mount, which was previously a feature that was only used for the EOS R series of mirrorless cameras. The RF-mount offers users access to Canon’s superb line of RF-lenses, which are quick, reliable and provide brilliant image quality. There is also a full 2, 4, 6, 8, and 10-stop internal ND filter system in the relatively small flange depth of the RF-mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeature Highlights\u003cbr\u003eExceptional Image Quality \u003c\/strong\u003e\u003cbr\u003e•    Canon Super 35mm Dual Gain Output (DGO) Sensor, 16+ stops of Total Dynamic Range\u003cbr\u003e•    DIG!C DV7 Image Processor\u003cbr\u003e•    Canon Log 2, 3, PQ, HLG Recording \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighly Adaptable to a Variety of Shooting Styles and Applications \u003c\/strong\u003e\u003cbr\u003e•    RF Mount \u003cbr\u003e•    EF Lens Compatibility with Mount Adapter   \u003cbr\u003e•    Direct Touch Control\u003cbr\u003e•    9x16 Vertical Shooting\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding Professional Camera Usability \u003c\/strong\u003e\u003cbr\u003e•    New Compact, Uni-Body Design  \u003cbr\u003e•    2x Built-in Mini-XLRS \u003cbr\u003e•    Built in ND filter system (2\/4\/6\/8\/10 stops) \u003cbr\u003e•    Time Code Terminal (BNC)\u003cbr\u003e•    Dual Pixel CMOS AF, EOS iTR AF X, Dual Pixel Focus Guide\u003cbr\u003e•    Electronic Image Stabilization with Combination IS\u003cbr\u003e•    Auto ISO\/Gain Control\u003cbr\u003e•    RC-V100 Remote Control Support \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptimized for Advanced Workflows \u003c\/strong\u003e\u003cbr\u003e•    Dual SD Card Slots with Various Recording Options\u003cbr\u003e•    High Frame Rate; 4K 120P and 2K CROP 180P \u003cbr\u003e•    Look File for Recording (User LUT)\u003cbr\u003e•    Long GOP Supported in 4K\/2K\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCanon Super 35mm Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 features Canon’s next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of a total dynamic range in excess of 16 stops and includes Canon’s exclusive Dual Pixel CMOS Autofocus technology.\u003cbr\u003e\u003cbr\u003eThe DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low noise levels by reading out each photodiode with two different gains. It combines the two with a saturation prioritizing gain for bright areas, and a lower noise prioritizing gain for darker areas.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDiG!C DV7 Image Processor\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 features Canon’s DiG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 2 and 3, PQ, and HLG Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 supports both Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in colour grading.\u003cbr\u003eCanon Log 2 provides the largest dynamic range and image detail. However, while Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in post and colour correction. \u003cbr\u003eFor users looking for most of the benefits of a log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003cbr\u003eThe EOS C70 also features HLG and PQ compliance with ITU-BT.2100 in Custom Picture (CP) presets, allowing users to record HDR footage instantly without grading.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eRF Mount\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 is the first Cinema EOS camera engineered with a built-in RF mount making it compatible with Canon’s expanding line of high-performance RF lenses. The short flange distance helps to dramatically reduce body depth, resulting in a more compact design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Lens Compatibility with EF-EOS R 0.71X\u003c\/strong\u003e\u003cbr\u003eIn addition to RF lenses, the EOS C70 offers tremendous flexibility by also being compatible with Canon’s broad line of award-winning EF lenses thanks to the new EF – RF optical adapter. This adapter converts light transmission from full-frame to Super 35mm image format. It extends the angle of view and optical sensitivity, while seamlessly integrating with the camera’s optical corrections. mount adapter.\u003cbr\u003e\u003cbr\u003eIn addition to the flanges of the RF mount, four screws securely attach the adapter to the camera. Once mounted, the adapter maintains a similar angle of view of your full frame lenses on the Super 35mm sensor, while boosting the speed of the attached lens by an average of 1-stop. The adapter also carries all EF information through to the RF contacts, so on certain lenses, full DPAF and metadata will be available, working much as they do on a native EF mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther adapters that are compatible with EOS C70, include:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e•    Canon Mount Adapter, EF-EOS R\u003cbr\u003e•    Canon Control Ring Mount Adapter, EF-EOS R\u003cbr\u003e•    Canon Drop-In Filter Mount Adapter, EF-EOS R with Circular Polarizer Filter\u003cbr\u003e•    Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 is equipped with Direct Touch Control which allows easy access to commonly used menu settings on the fully-rotatable LCD screen. Users will be able to simply touch the screen to start\/stop recording, access file format and resolution, set ISO\/Gain, colour temperature and iris, and display important settings. Shooting settings that were once in various places of the menu can now be accessed with one hand, allowing for on-the-spot changes while holding the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9x16 Vertical Shooting\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 supports vertical shooting, which is crucial for creators looking to capture content for smart devices and digital signage. The user interface can be switched to support vertical shooting with the same feel as horizontal shooting. A 1\/4\/20 tripod hole is built into the side of the camera grip, allowing users to easily attach a tripod without special accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Unique, Compact Body Design\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 features a new uni-body design that exhibits a compact form factor and an ergonomic built-in grip making handheld shooting easy and comfortable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Mini-XLRS\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 is equipped with two mini-XLR audio input terminals for professional audio recording. Additionally, manual audio control dials let users intuitively and quickly adjust the audio control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Neutral Density Filter System\u003c\/strong\u003e\u003cbr\u003eThe newly-developed thin, motorized ND filter unit has been specifically designed for the RF mount’s short flange back. It offers up to 10 stops of ND, allowing users to shoot in various lighting conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTime Code Terminal\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 includes a time code input\/output terminal in the lower front of the body that makes synchronizing easier in multi-camera productions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF, EOS iTR AF X, Dual Pixel Focus Guide\u003c\/strong\u003e\u003cbr\u003eCanon’s Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus and to capture actual image information, offering users high precision focusing and exceptional image quality. \u003cbr\u003e\u003cbr\u003eThe EOS C70 is the first Cinema EOS camera to feature EOS iTR AF X, which includes a head detection algorithm developed with deep learning technology. In Face Detection mode, the AF works with this advanced algorithm to dramatically improve distance measuring and tracking reliability.\u003cbr\u003e\u003cbr\u003eThe EOS C70 also features Dual Pixel Focus Guide, which is an innovative UI that gives users both front- and back-focus information telling users if the focus position is in the back or the front, aiding in smooth pulls during manual focus.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eElectronic Image Stabilization with Coordinated Control\u003c\/strong\u003e\u003cbr\u003eFor the first time in a Cinema EOS camera, enhanced image stabilization is available with coordinated control. With an RF lens and the electronic IS in the EOS C70, coordinated control optimizes hand-shake correction, resulting in better anti-vibration performance than the conventional EF lens and electronic IS together.\u003cbr\u003e\u003cbr\u003eIn addition, the EOS C70 adds Super 16 Digital IS, which stabilizes the 2K images by using the peripheral area around the center of the 4K sensor, to provide high-performance stabilization.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto ISO\/Gain Control\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 is the first Cinema EOS camera to feature Auto ISO and Gain Control. EOS C70 can automatically adjust sensitivity by utilizing the DGO sensor characteristics to switch gain smoothly, helping users concentrate on framing without worrying about aperture and other camera settings when moving from indoor to outdoor locations with significant changes in lighting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Remote Control Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 features a remote terminal that allows users to control the camera with Canon's RC-V100. The multi-functional RC-V100 remote controller provides full access to all important functions, including start\/stop, shutter\/gain adjustments, zoom\/focus\/iris parameters, custom picture values, white balance, black gamma, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual SD Card Slots with Various Recording Options\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 is capable of ultra-high frame rates with its new chip design and powerful DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps. The EOS C70 supports Dual Pixel CMOS AF, even when shooting at high frame rates, keeping the camera in focus even when mounted on gimbals or drones.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e* V90 SD cards are recommended for Slow \u0026amp; Fast motion recording.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eLook File for Recording (User LUT)\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 has a new option called Look File to import ‘.Cube’ type 3D LUTs for use while recording. This function greatly improves the flexibility of EOS C70 in professional workflows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLong GOP Supported in 4K\/2K\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 supports Long GOP with high compression for longer recording times up to 4K 60P. This inter-frame compression method detects differences between frames by referring to preceding and subsequent frames.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLenses that support auto iris:\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eRF Lenses\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eRF85mm F1.2L USM DS\u003c\/li\u003e\n\u003cli\u003eRF85mm F1.2L USM\u003c\/li\u003e\n\u003cli\u003eRF85mm F2 Macro IS STM\u003c\/li\u003e\n\u003cli\u003eRF50mm F1.2L USM\u003c\/li\u003e\n\u003cli\u003eRF35mm F1.8 Macro IS STM\u003c\/li\u003e\n\u003cli\u003eRF28–70mm F2L USM\u003c\/li\u003e\n\u003cli\u003eRF24–240mm F4–6.3 IS USM\u003c\/li\u003e\n\u003cli\u003eRF24–105mm F4–F7.1 IS STM\u003c\/li\u003e\n\u003cli\u003eRF24–105mm F4L IS USM\u003c\/li\u003e\n\u003cli\u003eRF24–70mm F2.8L IS USM\u003c\/li\u003e\n\u003cli\u003eRF15–35mm F2.8L IS USM\u003c\/li\u003e\n\u003cli\u003eRF70–200mm F2.8L IS USM\u003c\/li\u003e\n\u003cli\u003eRF100–500mm F4.5–7.1L IS USM\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eEF Lenses*\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eEF-S 10–18mm f\/4.5–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF-S 18–55mm f\/3.5–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF-S 18–135mm f\/3.5–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF-S 55–250mm f\/4–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF 24–105mm f\/3.5–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF-S 18–135mm f\/3.5–5.6 IS USM\u003c\/li\u003e\n\u003cli\u003eEF-S 18–55mm f\/4–5.6 IS STM\u003c\/li\u003e\n\u003cli\u003eEF 70–300mm f\/4–5.6 IS II USM\u003c\/li\u003e\n\u003cli\u003eEF-S 35mm f\/2.8 Macro IS STM\u003c\/li\u003e\n\u003cli\u003eEF 85mm f\/1.4L IS USM\u003c\/li\u003e\n\u003c\/ul\u003e\u003cem\u003e* Supported by EF lenses released in 2018 and later\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCINE-SERVO Lenses\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eCN7x17 KAS S\/E1\u003c\/li\u003e\n\u003cli\u003eCN7x17 KAS S\/P1\u003c\/li\u003e\n\u003cli\u003eCN20x50 IAS H\/E1\u003c\/li\u003e\n\u003cli\u003eCN20x50 IAS H\/P1\u003c\/li\u003e\n\u003cli\u003eCN-E 18–80mm T4.4 L IS KAS S\u003c\/li\u003e\n\u003cli\u003eCN-E 70–200mm T4.4L IS KAS S\u003c\/li\u003e\n\u003cli\u003eISO: 1-stop, 1\/3-stop settings: 100*–160–25600–102400*\u003c\/li\u003e\n\u003c\/ul\u003e\u003cem\u003e* When the sensitivity is expanded\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Features:\u003c\/strong\u003e\u003cbr\u003eSlow \u0026amp; Fast motion recording, B\u0026amp;W Image: LCD\/HDMI, relay recording*, double-slot recording**, custom picture settings, color bar, peaking, zebra pattern, magnify, waveform monitor display, assignable buttons, marker display, enlarged display, custom picture display, control via Browser Remote***, peripheral illumination correction, diffraction correction, fan control, geotagging\u003cbr\u003e\u003cbr\u003e\u003cem\u003e* Not available during Slow Motion recording\u003cbr\u003e** Not available in combination with Slow \u0026amp; Fast motion recording or relay recording\u003cbr\u003e*** Browser Remote with Ethernet or Wi-Fi USB-C Adapter\u003c\/em\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752763425067,"sku":"4507C002","price":5999.11,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/TATugDZ_7OgnRhlubqMAHQ.jpg?v=1769598966"},{"product_id":"canon-xf605-4k-uhd","title":"XF605 Professional Camcorder","description":"The XF605 Professional Camcorder is the next-generation XF-series camera providing excellent mobility, connectivity, and superb 4K UHD HDR image quality. Equipped with Canon’s renowned Dual Pixel CMOS AF, the XF605 achieves high-speed and high-accuracy focusing, and is the first XF-series model to include Eye Detection AF, as well as iTR AF X technology for improved face and head detection for more accurate and stable tracking of subjects.\u003cbr\u003e\u003cbr\u003e The XF605 features a 4K L-series 15x Optical Zoom lens with 3-ring manual control. XF605 can shoot 10-bit 4:2:2 4K UHD footage in XF-AVC and MP4 formats to dual SD cards for easy post-production and quick delivery. It features multiple recording modes including Frame, Interval, and Slow and Fast motion up to 120fps in FHD.\u003cbr\u003e\u003cbr\u003e An ideal tool for news gathering, XF605 features a new CTM (Content Transfer Mobile) iPhone application which allows for proxy footage, audio, and metadata to be exchanged between a newsroom server through the phone connection in the field and integrates into newsroom assignment planning software.\u003cbr\u003e\u003cbr\u003e XF605 features a Multi-Function Shoe that is compatible with a new XLR microphone adapter (developed by TEAC Corporation) for increasing the total number of XLR inputs to 4, providing a flexible audio recording workflow. \u003cbr\u003e\u003cbr\u003e The camera features built-in Wi-Fi\/Ethernet for Browser Remote, CTM (Content Transfer Mobile) app, IP streaming, and FTP transfer. The camera is also the first XF-series camera to feature USB Video Class allowing use as a webcam without the need for a 3rd Party HDMI to USB adapter.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1.0-inch 4K UHD CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder features a Canon 1.0-inch 4K UHD CMOS image sensor capable of 4K UHD video capture at 60p and slow motion recording up to 120fps in Full HD, making the camcorder a strong contender for professional productions, ENG applications and more.\u003cbr\u003e\u003cbr\u003eThe XF605 camcorder's 1.0-inch sensor allows for larger photosites compared to smaller-sized sensors, resulting in improved images with less noise in low-light situations. The larger sensor also exhibits a shallower depth of field at large apertures, providing greater depth of field control and creative options. The camcorder's DIGIC DV 7 imaging engine further enhances the high sensitivity and low noise performance of the camcorder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e15x Optical 4K UHD L Zoom Lens with 5-Axis Optical Image Stabilization\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder incorporates a Canon 4K video lens that leverages proprietary Canon optical technologies derived from years of experience in developing Cinema, Broadcast and EF-series lenses.\u003cbr\u003e\u003cbr\u003eInspired by the same high level of optical precision used in Canon broadcast and photographic lenses, the Canon XF605 camcorder incorporates a Genuine Canon 15x L-series optical zoom lens that maintains 4K UHD quality throughout the entire zoom range, and offers a focal length range of 25.5 to 382.5mm (35mm film equivalent). Users can get up to 30x Advanced Zoom when shooting in Full HD, which utilizes the XF605 camcorder's full 4K UHD sensor to extend the zoom range while maintaining image quality.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5-Axis Optical Image Stabilization\u003c\/strong\u003e\u003cbr\u003eThe XF605 camcorder also incorporates a 5-axis Optical Image Stabilization (IS) system, featuring three modes of image stabilization: Standard, Dynamic and Powered. In Standard IS mode, the stabilizing angle is made constant, independent of the zoom magnification. Dynamic IS mode extends the stabilizing range at the wide end of the focal length, allowing for image stabilization when shooting while walking. Powered IS mode helps facilitate stabilization in the low frequency range at the tele end and should be used exclusively for fixed-point shooting which does not involve panning.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9-blade Iris\u003c\/strong\u003e\u003cbr\u003eFor enhanced versatility and durability, the lens features a 9-blade iris, producing artistic and beautiful out-of-focus areas or \"bokeh.\" The 9 blades allow for attractive circular blurring in out-of-focus regions, while the use of an odd number of blades helps reduce flaring of specular highlights.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIndependent 3-Density ND Filter\u003c\/strong\u003e\u003cbr\u003eA compact and independent internal 3-density ND filter, using a turret (circular) mechanism, allows the user to select from three densities (ND 1\/4, ND 1\/16, and ND 1\/64) or turn the feature off if needed. Density can be adjusted using the dedicated external buttons.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K UHD 59.94P 4:2:2 10-bit Recording in XF-AVC and MP4 formats\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports 4K UHD 59.94p 4:2:2 10-bit recording to support natural and realistic 4K video production. Users can choose between MXF-based XF-AVC and versatile MP4 formats.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptional Wide and Tele Accessories\u003c\/strong\u003e\u003cbr\u003eThe optional Wide Attachment WA-U58 and the Tele Converter TL-U58 accessories expand the creative capabilities of the XF605 camcorder.\u003cbr\u003e\u003cbr\u003eThe Wide Attachment WA-U58 offers a 0.8x wider angle of view that enables users to capture more of a scene, especially when indoors or in tight spaces, to lend better perspective to your video narrative. The Tele Converter TL-U58 provides extended 1.5x longer telephoto range for the XF605 camcorder's fixed lens, allowing distant subjects to be captured with brilliant clarity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDIGIC DV 7 Image Processor\u003c\/strong\u003e\u003cbr\u003eThe XF605 features Canon's DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel CMOS Autofocus, HDR (PQ\/HLG) output, and proxy recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHDR Recording with HLG\/PQ Shooting Assist\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full colour rendition and wide latitude with a much greater range from black to pure white – ideal for the delivery of live streams, broadcasts, and post-production projects. The XF605 also features a variety of assist functions to support auto\/manual exposure control during HDR shooting, allowing users to record HDR video using their usual shooting methods.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Log 3\u003c\/strong\u003e\u003cbr\u003eDesigned with creative post-processing in mind, Canon Log 3 is a gamma designed for simple grading at a deep level for toning up dark areas and adjusting colour tone\/gradation to make noise less noticeable. By shooting in Canon Log 3, users can manipulate the information that's recorded, from dark areas to highlights. This makes the range for colour grading wider and enables video to be produced with generous latitude that couldn't be reproduced with video gammas. Simple previews can also be performed on-site with Look-Up Table (LUT) accuracy.\u003cbr\u003e\u003cbr\u003eCanon Log 3 shooting can be especially effective for documentaries and other settings with drastic changes, along with outdoor and other locations where light conditions change frequently, or where monitoring setups may be insufficient.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWide DR Gamma (800%) Support\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports Wide DR Gamma. For natural and realistic-looking image capture that faithfully represents the scene at hand, Wide DR Gamma achieves a wide dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights, all without requiring post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual SD Card Slots\u003c\/strong\u003e\u003cbr\u003eThe XF605 has dual SD card slots for simultaneous recording in different formats, including 4K\/HD and XF-AVC\/MP4. Double Slot Recording and Relay Recording modes are also available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow and Fast Motion Recording up to 120fps\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder supports slow and fast motion recording, and can record in a different frame rate from playback for slow and fast motion effects. Slow motion recording of up to 120 fps (x0.2) in Full HD is supported, helping to create an emotionally moving and exciting style of video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF, Eye Detection AF, EOS iTR AF X, Dual Pixel Focus Guide\u003c\/strong\u003e\u003cbr\u003eCanon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus and to capture actual image information, offering users high precision focusing and exceptional image quality.\u003cbr\u003e\u003cbr\u003e The XF605 is the first XF-series camera to feature Eye Detection AF which further increases the accuracy of focus on human subjects.\u003cbr\u003e\u003cbr\u003e The XF605 is also the first XF-series camera to feature EOS iTR AF X, which includes a head detection algorithm developed with deep learning technology. In Face Detection mode, the AF works with this advanced algorithm to dramatically improve distance measuring and tracking reliability.\u003cbr\u003e\u003cbr\u003e The XF605 also features Dual Pixel Focus Guide, which is an innovative UI that gives users both front- and back-focus information telling users if the focus position is in the back or the front, aiding in smooth pulls during manual focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003cbr\u003eThe XF605 is equipped with Direct Touch Control which allows easy access to commonly used menu settings on the fully-rotatable LCD screen. Users will be able to simply touch the screen to start\/stop recording, access file format and resolution, set ISO\/Gain, colour temperature and iris, and display important settings. Shooting settings that were once in various places of the menu can now be accessed with one hand, allowing for on-the-spot changes while holding the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUVC Support\u003c\/strong\u003e\u003cbr\u003eXF605 is the first Professional Camcorder to support UVC (USB Video Class) which enables use as a webcam, allowing for simple connectivity and advanced shooting capabilities such as autofocus tracking and zoom for basic webcam applications.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLook File for Recording (User LUT)\u003c\/strong\u003e\u003cbr\u003eLook File allows you to import '.Cube' type 3D LUTs for use while recording. This function greatly improves the flexibility of XF605 in professional workflows.\u003cbr\u003e\u003cbr\u003eHigh Sensitivity Mode\u003cbr\u003eAllows for shooting in dark environments by boosting gain to 36 db.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3.5-inch Rotating Touch Panel LCD and .36-inch OLED Electronic Viewfinder\u003c\/strong\u003e\u003cbr\u003eThe monitor allows for on-camera monitoring of footage in real time and features a rotating design that brings flexibility and user preference to support 4K shooting, which demands strict focus accuracy.\u003cbr\u003e\u003cbr\u003e The OLED viewfinder displays approx. 1.77 million dots, allowing shooters to see bright parts in the image and dark shadow detail. The EVF can then be used to adjust parameters and camcorder settings accordingly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12G-SDI, Genlock, Time Code, and Other Terminals\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder features a 12G-SDI terminal with four times the transmission speed of 3G-SDI. The camcorder's 4K 59.94p output – which used to require four cables in 3G-SDI – can be delivered with just one cable. This means 4K can be handled with the same number of transmission cables as Full HD.\u003cbr\u003e\u003cbr\u003e A 12G-SDI feed directly out of the XF605 and an external HDMI output facilitate easy connection to a 4K UHD-compatible or standard HD interlace video monitor.\u003cbr\u003e\u003cbr\u003e Other terminal connections that help streamline workflows include dedicated jacks for: headphone, mic, USB (Type-C and Type-A), Remote A, Remote B (RS422), Ethernet, Genlock\/Sync OUT and SMPTE Time Code.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible Audio Inputs with Linear PCM 4-channel Support\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder offers a variety of ways to record high-quality linear PCM 4ch audio: through two XLR terminals, a stereo mini-jack mic terminal, or from the camcorder's internal stereo mic. The on-board 4ch audio independent settings let users set recording levels, input sensitivity and limiters for each channel.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Function Shoe\u003c\/strong\u003e\u003cbr\u003eSupports new XLR accessory which adds two additional XLR ports. The additional XLR ports allow for additional audio inputs and flexibility when recording ENG footage and HOW services.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLive IP Streaming\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder offers the ability to stream video live online using IP transmission in H.264\/AVC encoding format.\u003cbr\u003e\u003cbr\u003e The livestream can be viewed directly from the camcorder using the on-board LCD monitor, sent to a standalone IP encoder, or redirected to a monitor for a confidence check and public viewing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Remote Controller Support\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder is compatible with Canon's optional RC-V100 Remote Controller, enabling image quality adjustments and other important operations to be set from a distance. The RC-V100 plugs into the XF605 through the remote terminal on the rear panel.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, Lightweight and Ergonomic Design\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder is compact and lightweight, making it especially useful for on-the-go Electronic News Gathering (ENG) and documentary production applications.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNEW CTM (Content Transfer Mobile) iPhone Application\u003c\/strong\u003e\u003cbr\u003eAllows for immediate transfer of proxy footage and metadata to be transferred to newsroom planning servers using ML-G2. Metadata can be edited before and after shooting. Canon’s new CTM (Content Transfer Mobile) application and workflow is designed to assist in the quick and seamless delivery of video files and footage from remote operators in the field.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNetwork Connections for FTP Transfer and Browser Remote (Wired and Wi-Fi Connectivity)\u003c\/strong\u003e\u003cbr\u003eThe XF605 Professional Camcorder offers both wired and wireless connectivity to enable recorded files to be shared and transmitted back to the station or home base via FTP for editing or live streaming.\u003cbr\u003e\u003cbr\u003e The camcorder can also be accessed remotely from a typical web browser running on a laptop or a compatible smart device to control functions such as record start\/stop, record mode and frame rate, AF\/MF switching, focus\/zoom settings and white balance mode. Background transfer of video files via FTP links is also possible, enabling the latest news images, for example, to be distributed quickly over the Internet.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752768176427,"sku":"5076C002","price":6599.11,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/kFLCbYujqNKlQBWNYipHOg.jpg?v=1769599201"},{"product_id":"canon-pro-xa65","title":"XA65 Compact professional 4K UHD camcorder","description":"\u003cstrong\u003eShoot, record, document, stream\u003c\/strong\u003e\u003cbr\u003eShoot high quality 4K UHD video with the compact XA65. 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The adapter is compatible with Cooke\/i Technology’s metadata protocol and includes lock plates to ensure a secure lens mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVariety of Interfaces, Including Timecode and Genlock\u003c\/strong\u003e\u003cbr\u003eThe C400 has diverse set of interfaces making it a versatile camera for film set production and live broadcast production.\u003cbr\u003e\u003cbr\u003eA dedicated 12-pin LENS terminal for broadcast and cine-servo lenses, 12G-SDI (SDI OUT) and 3G-SDI (MON.) for monitor outputs, two mini-XLR audio inputs (INPUT 1 and INPUT 2), DIN connectors for Time Code (TC), Genlock and return video (G-LOCK\/SYNC\/RET), a full-size HDMI (HDMI OUT), built-in Wi-Fi, Ethernet and REMOTE terminal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReturn Video Input, Ethernet, and Wi-Fi Control\u003c\/strong\u003e\u003cbr\u003eThe versatile C400 has specialized functions for live productions including a return video input that notifies operators which camera is currently being broadcast live.\u003cbr\u003e\u003cbr\u003eThe built-in Ethernet port enables Canon's IP-based remote control XC Protocol. XC Protocol helps to maximize operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers, and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003cbr\u003e\u003cbr\u003eAdditionally, Canon’s Remote Control Camera Application (RCCA) can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, Lightweight, Ergonomic Body Design\u003c\/strong\u003e\u003cbr\u003eThe RF mount’s short flange back allows the EOS C400 body to be small and lightweight making the camera just as comfortable on a drone or a gimbal as it is on your shoulder, a tripod, or any configuration where compact size and light weight are important.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew LCD, Handle and Grip Design\u003c\/strong\u003e\u003cbr\u003eThe EOS C400 ships with a variety of beneficial accessories including a new LCD touch-screen monitor, camera grip and battery pack.\u003cbr\u003e\u003cbr\u003eA new handle assembly with captive screws and Multi-function* Shoe has been designed for the EOS C400. The new LCD attachment allows the camera operator to adjust the angle and distance of the LCD monitor to suit almost any shooting style including handheld and shoulder-mounted. The LCD monitor also employs the MC-5U, a USB-C cable connecting to the camera body.\u003cbr\u003e\u003cbr\u003eThe EOS C400 also has an ergonomic camera grip for operator comfort, with three additional assignable buttons. The grip can be articulated to achieve a range of shooting angles.\u003cbr\u003e\u003cbr\u003e* Handle assembly only for use with the C400.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Clear Scan Mode\u003c\/strong\u003e\u003cbr\u003eThe Auto Clear Scan setting available in the camera is an automatic shutter mode setting that can detect the frequency of light sources between 50.0 Hz to 2011.2 Hz to help reduce or virtually eliminate the flickering in some LED walls.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Multi-Camera Control App\u003c\/strong\u003e\u003cbr\u003eThe EOS C400 is compatible with the Canon Multi-Camera Control App for iPhone.\u003cbr\u003e\u003cbr\u003eThis app empowers camera operators to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, Custom Picture and more, all while viewing the image from the camera.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752775614763,"sku":"6388C002","price":11499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/l8_j0iJ1hkzBo1bFfUmZSQ.jpg?v=1769598960"},{"product_id":"canon-eos-c80-boitier","title":"EOS C80 6K Cinema Camera - Body Only","description":"\u003cstrong\u003eEOS C80\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 camera is designed for limitless creative vision. The compact, full-featured camera body includes Canon's 6K full frame Back-Illuminated Stacked CMOS sensor, Cinema RAW Light and 4K\/120p internal recording, Canon’s next-generation Dual Pixel CMOS AF II and a 12G-SDI interface. The EOS C80 seamlessly integrates into almost any production providing the ultimate flexibility and outstanding image quality.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e6K Full Frame Back-illuminated Stacked CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 features a 6K back-illuminated stacked full-frame CMOS sensor. The sensor offers exceptional low noise, enabling the camera to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The new sensor delivers faster read-out speeds than previous EOS sensors and when compared to a front-illuminated CMOS sensor, the new sensor’s architecture provides improved sensitivity as it increases light capturing efficiency and improves 4K image quality with 6K oversampling1.\u003cbr\u003e\u003cem\u003e1 When recording in XF-AVC, XF-HEVC S and XF-AVC S in full-frame sensor mode at a frame rate of 60p or lower.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTriple Base ISO (800, 3200 and 12,800)\u003c\/strong\u003e\u003cbr\u003eOur newly developed, full frame 6K back-illuminated stacked sensor offers triple-base ISO, which allows the EOS C80 to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800, 3200, and 12,800, you will be able to maximize the full dynamic range of the sensor in brilliantly lit or low-light shooting conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal Recording: 6K 30P Cinema RAW Light, XF-AVC, XF-HEVC S and XF-AVC S\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 can record up to 6K 30P in Cinema RAW Light.\u003cbr\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. For slow or fast motion recording, the C80 can support up to 4K 120P and 2K 180. Additionally, the EOS C80 also supports 6K\/60P HDMI RAW output.\u003cbr\u003eTwo additional recording codecs are now available: XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-frame Rate Recording With Auto Focus and Subject Detection\u003c\/strong\u003e\u003cbr\u003eWhen recording in slow and fast motion (Slow \u0026amp; Fast, 4:2:2 10-bit), the EOS C80 enables Dual Pixel AF II for frame rates of 100 and 120fps and Subject Detection for frame rates between 72-120fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual SD Card Slots\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 features two SD Card slots supporting simultaneous recording2 and a variety of recording modes, such as simultaneous recording for backup or proxy files for editing, simultaneous recording of different formats and resolutions, and relay recording, which is critical for lengthy video shoots. The slots are compatible with SD UHS-II, V90-class cards.\u003cbr\u003e\u003cem\u003e2 During slow-motion recording, simultaneous recording may not be possible depending on frame rate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF II\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s back-illuminated stacked sensor provides better light-capturing efficiency, widening the area of the sensor that can be used for AF.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEOS iTR AF X (People Detection)\u003c\/strong\u003e\u003cbr\u003eWith outstanding speed, precision, and a wide autofocus range, Dual Pixel CMOS AF II uses the EOS Intelligent Tracking and Recognition (iTR AF X) algorithm, developed with deep learning technology, to enable high-performance detection of human beings. In addition to human eyes, face, and head, the camera can detect a human body and follow it with high accuracy.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEOS iTR AF X (Animal Detection)\u003c\/strong\u003e\u003cbr\u003eiTR AF X Animal Detection detects the eyes, face, or the entire body of an animal to enable highly accurate focusing and tracking not affected by subject size or face orientation3.\u003cbr\u003e\u003cem\u003e3 Animal detection may not be possible with some animals. Subjects that are not dogs or cats may be detected as animals in some cases.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e12G-SDI and a Variety of Interfaces\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 has diverse set of interfaces making it a versatile camera for variety of productions.\u003cbr\u003eThe EOS C80 distinguishes itself from its predecessor with built-in SDI (1x 12-G\/3-G SDI OUT, BNC terminals), which enable uncompressed video signal transfer with a secure cable connection.\u003cbr\u003eOther interfaces include: two three-pin mini-XLR audio inputs (INPUT 1 and INPUT 2), a Microphone terminal (3.5mm stereo mini-jack), and REMOTE terminal (2.5mm stereo mini-mini), a full-size HDMI interface (HDMI OUT, Type A Terminal).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEthernet, and Wi-Fi Control\u003c\/strong\u003e\u003cbr\u003eThe built-in Ethernet port and Wi-Fi enable Canon's IP-based remote control XC Protocol. XC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003cbr\u003eAdditionally, Canon’s Remote Control Camera Application (RCCA) can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in ND Filters, Improved Body Design, Compact and Lightweight\u003c\/strong\u003e\u003cbr\u003eThe EOS C80’s compact mechanical ND filter assembly is specifically designed for the RF mount's short flange back. Buttons for direct control of ND filters are located on the right-hand side of the camera.\u003cbr\u003eThe EOS C80 provides up to ten stops of ND filtration, allowing users to shoot in various lighting conditions. The use of ND filters allows a camera operator to adjust exposure while maintaining the depth of field.\u003cbr\u003eThe RF mount’s short flange back allows the EOS C80’s body to be small and lightweight, making the camera just as comfortable on a drone or a gimbal as it is on your shoulder, a tripod, or any configuration where compact size and light weight are important. The camera also has an ergonomic design with a new, lightweight handle assembly, and the Multi-function Shoe is located just above the LCD screen. The newly-designed joystick controller provides easy control and menu navigation. Adding to the versatility of this camera, a new quarter-inch baseplate mounting hole under the front of the EOS C80 will add even more options for securing and positioning the camera in a variety of shooting situations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Adapter PL-RF with Cooke\/i Compatibility\u003c\/strong\u003e\u003cbr\u003eThe Mount Adapter PL-RF, new to the RF ecosystem, unlocks a broad assortment of PL mount lenses for Canon’s RF cameras. The adapter is compatible with Cooke\/i Technology’s metadata protocol and includes lock plates to ensure a secure lens mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Clear Scan Mode\u003c\/strong\u003e\u003cbr\u003eThe Auto Clear Scan setting available in the C80, is an automatic shutter mode setting that can detect the frequency of light sources between 50.0 Hz to 2011.2 Hz to help reduce or virtually eliminate the flickering in some LED walls.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCanon Multi-Camera Control App\u003c\/strong\u003e\u003cbr\u003eThe EOS C80 is compatible with the Canon Multi-Camera Control App for iPhone.\u003cbr\u003eThis app empowers camera operators to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, Custom Picture and more, all while viewing the image from the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote Control Camera Application\u003c\/strong\u003e\u003cbr\u003eThe C80’s built-in Ethernet and Wi-Fi connectivity enables centralized control via the Remote Camera Control Application (RCCA). RCCA provides simultaneous camera control for up to nine cameras with video - achieving a \"multi-camera operation\".\u003cbr\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752775745835,"sku":"6389C002","price":7999.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/uqBgJUYAe0PSAw25bN-7rA.jpg?v=1769598971"},{"product_id":"canon-eos-c50","title":"EOS C50 Full-Frame Cinema Camera - Canon RF - Body Only","description":"The EOS C50 camera is designed to maximize creative freedom. The compact, full-featured camera body includes Canon's newly developed 7K full frame CMOS sensor with 3:2 open gate internal recording capabilities, 4K\/120P and Cinema RAW Light up to 7K\/60P. The EOS C50 features Canon’s next-generation Dual Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and supports XC protocol which allows for remote control over IP via Wi-Fi® or a compatible third-party USB-C ethernet adapter. The included detachable top handle adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker. In addition, this camera can capture 32MP still images in Photo mode. The EOS C50 seamlessly integrates into almost any production environment, delivering flexibility and outstanding image quality in a package that practically fits in the palm of your hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003cbr\u003eNewly Developed 7K Full Frame CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 features a newly developed 7K full-frame CMOS sensor. The sensor offers exceptionally low noise, enabling it to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The high resolution and realism of 7K enable richer creative expression as well as greater flexibility in workflows, including oversampled 4K 60P.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull Frame 3:2 “Open Gate” Sensor Mode\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 is the first Cinema EOS camera to feature open gate recording options, utilizing the full dimensions of the sensor. By selecting Full Frame 3:2 from the Sensor Mode section of the main menu, you can shoot using the full area of the sensor and then use that information in post to crop and re-frame your footage to the aspect ratio of your choice. This is especially valuable when shooting with full-frame anamorphic lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for Anamorphic Lens Desqueeze\u003c\/strong\u003e\u003cbr\u003eAnamorphic lenses have an elongated rear element that makes it possible to utilize flare and bokeh effects that cannot be achieved with ordinary lenses. The EOS C50 provides desqueeze magnification options including OFF\/2x\/1.8x\/1.5x\/1.3x.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO\u003c\/strong\u003e\u003cbr\u003eThe full-frame 7K sensor of the EOS C50 offers dual base ISO, which allows the camera to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800 and 6400 in Canon Log 2, you will be able to maximize the full dynamic range of the sensor in almost any shooting scenario. The camera also features Auto Selection, which automatically switches from one of the two base ISO levels to another level while maintaining the dynamic range.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e7K 60P Internal RAW Recording and 4K 120P High Frame Rate Recording\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 can record up to 7K 60P Cinema RAW Light with an additional three 12-bit Cinema RAW Light recording modes: HQ, ST and LT.\u003cbr\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2, creating rich detail and smooth imagery at frame rates up to 120P, without cropping the image from the sensor. For slow or fast motion recording, the EOS C50 can support up to 4K 120P and 2K 180P.\u003cbr\u003eAdditionally, the C50 features the XF-AVC S and XF-HEVC S recording codecs. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Frame Rate Recording with Auto Focus and Subject Detection\u003c\/strong\u003e\u003cbr\u003eThe camera’s Dual Pixel CMOS AF II enables you to keep your subject in focus during slow or fast shooting at speeds up to 4K\/120P or 2K\/150P. This will help to ensure that even at high frame rates, your subject will remain in clear focus.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSimultaneous Crop Recording\u003c\/strong\u003e\u003cbr\u003eWhen shooting for social media, an added benefit of the camera is that it allows for simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at your chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, you have up to three format options, depending on your shooting mode: 9:17, 9:16, or 1:1. This will help to reduce turnaround time when formatting videos for different deliverables.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Card Slots\u003c\/strong\u003e\u003cbr\u003eCFexpress (type B) and SD card slots on the EOS C50 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available on the SD card slot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS AF II\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s sensor provides superb light-capturing efficiency, widening the area of the sensor that can be used for AF to approximately 100% by 100%.\u003cbr\u003e\u003cbr\u003eThe subject detection algorithm utilizes deep learning technology. The face\/eye detection can now be set with either left or right eye priority in both humans and animals. Additionally, the animal detection AF now also includes birds.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVertical Shooting UI\u003c\/strong\u003e\u003cbr\u003eWhen shooting vertically, the display on the EOS C50 can be switched to a UI that supports vertical shooting. It also supports touch controls for recording start\/stop from the vertical screen mode.\u003cbr\u003e\u003cbr\u003eAlong with the shooting UI, menu settings and LCD brightness adjustments are also reoriented for vertical shooting to provide an easy-to-read layout.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLight and Compact Body Design Including Detachable Handle with Built-in XLR Inputs, REC and Zoom Control\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 is the smallest and lightest Cinema EOS camera to date. The light and compact body makes shooting in tight spaces easier with greater freedom in angles and movement, and it reduces fatigue even during long hand-held shots.\u003cbr\u003e\u003cbr\u003eThanks to its flat and linear design with few protruding parts, you can easily attach a mic, rig, gimbal, or other accessories to customize the camera in multiple ways to fit your shooting style.\u003cbr\u003e\u003cbr\u003eThe included handle unit can also be attached to shoot subjects from a low or crooked angle, enabling more diverse and flexible visual capabilities. The handle also contains two built-in, full-sized 3-pin XLR inputs with 48V phantom power to record high-quality audio with an external mic. Additionally, the handle comes with a start\/stop button and a zoom rocker.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVariety of Interfaces\u003c\/strong\u003e\u003cbr\u003eQuarter-inch Mounting Screw Hole\u003cbr\u003eTime Code Terminal (DIN)\u003cbr\u003eMicrophone Terminal\u003cbr\u003eHeadphone Terminal\u003cbr\u003eRemote Terminal\u003cbr\u003eUSB Type-C Terminal\u003cbr\u003eHDMI Output Terminal (Type-A)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEthernet, and Wi-Fi® Control\u003c\/strong\u003e\u003cbr\u003eThe built-in Wi-Fi® enables Canon's IP-based remote control XC Protocol. Compatible third-party USB-to-Ethernet adapters will also provide additional options for connectivity.\u003cbr\u003e\u003cbr\u003eXC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003cbr\u003e\u003cbr\u003eAdditionally, Canon’s Remote Control Camera Application and Multi-Camera Control App can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdobe Frame.io Camera-to-Cloud Integration\u003c\/strong\u003e\u003cbr\u003eThe camera has native compatibility with Frame.io’s Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don’t require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVirtual Production Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C50 is able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by running our CV Metadata Extraction plugin on compatible computers, greatly enhancing usability in virtual set environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMount Adapter PL-RF with Cooke\/i® Technology Compatibility\u003c\/strong\u003e\u003cbr\u003eThe Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C50 camera. The adapter is compatible with Cooke\/i® Technology’s metadata protocol which enables real-time output of lens metadata (focus\/zoom\/iris position, and other data in addition to lens model information). Additionally, the robust adapter features locking plates that attach to the camera with four screws for a secure and stable lens mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull-featured Mirrorless Photo Mode with Dedicated Menu and UI\u003c\/strong\u003e\u003cbr\u003eWith a flip of the switch, the EOS C50 transforms from a powerful cinema camera to a professional-class stills camera, utilizing the familiar menu system of the EOS R series. Meeting both needs with a single camera saves you the hassle of having to carry two cameras and makes editing processes smoother, helping to streamline your workflow.\u003cbr\u003e\u003cbr\u003eThe full-frame sensor offers a shallow depth of field that enables impressive shots that fully utilize bokeh, and shots can be taken with standard ISO of up to 64,000, enabling high-quality images for a wide range of shooting situations and subjects.\u003cbr\u003e\u003cbr\u003e35mm full-frame up to approx. 32MP\u003cbr\u003eMax. 40 shots\/sec. high-speed continuous shooting\u003cbr\u003eStill image sensitivity: standard ISO 64000\u003cbr\u003eSupports Dual Pixel CMOS AF II","brand":"Canon","offers":[{"title":"Default Title","offer_id":51752780628267,"sku":"7034C002","price":4999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/gEqiiJWfNPlQDssE91VYhA.jpg?v=1769598964"},{"product_id":"camera-insta360-one-x2","title":"One X2 Camera","description":"\u003cstrong\u003eSTEADY CAM MODE\u003cbr\u003eSingle-lens stable capture.\u003c\/strong\u003e\u003cbr\u003ePut all of your firepower behind one lens with Steady Cam mode. 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These filters were also designed to match and compliment the colour science of Ronin 4D. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003eWith 14+ stops of dynamic range, Zenmuse X9 delivers natural transitions of highlights and shadows in complex lighting conditions such as backlit scenes and direct sunlight. These traditionally difficult scenes can now be captured easily and with confidence.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-Axis Stabilization\u003c\/strong\u003e\u003cbr\u003eDJI Ronin 4D adds a Z-axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilization performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilization to a whole new level. When this compact body combines with its powerful stabilization capabilities, complex camera movements that used to be very costly to achieve are now easily attainable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Gimbal Camera\u003c\/strong\u003e\u003cbr\u003eRonin 4D integrates the imaging and stabilization systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003cbr\u003e\u003cbr\u003eThe compact and portable gimbal system allows shooting to begin without the need for tedious manual balancing. This also delivers stable footage, even with lenses that have a shifting center of gravity during use. With a highly integrated body and robust motor force, Ronin 4D offers the best stabilizing and tracking performance of the entire Ronin Series so far at an incredibly light weight. Additionally, it can switch to Sport mode with the press of a button, allowing the gimbal to react quickly to the cinematographer's movements. It also supports wireless gimbal control and versatile mounting configurations for varied shooting scenarios.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eActiveTrack Pro\u003c\/strong\u003e\u003cbr\u003eDJI’s proprietary computer vision, deep learning technology, and the robust computing power of CineCore 3.0 combine in ActiveTrack Pro, which enables cinema-standard tracking shots, even in just one take. This technology also allows subjects to be tracked from longer distances and features composition adjustment with continuous autofocusing to keep subjects in focus during tracking shots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVersatile Beyond Imagination\u003cbr\u003eVideo Transmission Performance\u003c\/strong\u003e\u003cbr\u003eRonin 4D uses the all-new DJI O3 Pro Video Transmission technology, which offers a 20,000-foot transmission range that would be unimaginable on traditional solutions. In addition to 2.4GHz and 5.8GHz, it supports the DFS frequency band and an AES 256-bit encryption algorithm that can output a 1080p\/60fps FHD feed to multiple remote monitors simultaneously with significantly enhanced security, stability, and anti-interference capability.\u003cbr\u003e\u003cbr\u003eDJI's proprietary chip powers the imaging system, video transmitter, video receiver, and remote monitor of Ronin 4D. Together, these components form a streamlined wireless transmission system, with every link explicitly optimized to provide end-to-end ultra-low transmission latency.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Design\u003c\/strong\u003e\u003cbr\u003eThe 4D Video Transmitter can be directly mounted onto Ronin 4D and powered by the battery of the main body. With a built-in wireless video receiver, the High-Bright Remote Monitor has a 7-inch, 1,500-nit high-bright, wide colour gamut touchscreen display that can output both HDMI and SDI signals through the expansion module. Its compact and lightweight body provides optimum portability and efficient setup so users can start shooting immediately.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMirror Control Mode\u003c\/strong\u003e\u003cbr\u003eMirror Control Mode gives the High-Bright Remote Monitor an identical control interface as the main monitor, including all advanced features such as source material playback, video specification and gimbal settings, which can now be remotely adjusted even when Ronin 4D is mounted to expansion platforms such as a jib, cable cam, or vehicle mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIndependent Recording and Playback\u003c\/strong\u003e\u003cbr\u003eThe High-Bright Remote Monitor has a built-in microSD card slot that supports independent recording of video at up to 1080p\/60fps. When several remote monitors are used in conjunction, each monitor can play back material separately without interfering with other monitors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnparalleled Accuracy\u003cbr\u003eLiDAR Focusing System\u003cbr\u003eLiDAR Waveform\u003c\/strong\u003e\u003cbr\u003eDJI Ronin 4D makes manual focusing easier than ever. The visualized focus assistance technology displays the ranging points on the main and remote monitors in a simplified top-down view. This provides an innovative and intuitive LiDAR Waveform to locate focus points quickly and allow focus adjustments with extreme precision. Even operators with little or no experience can become adept at manual focusing quickly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLiDAR Range Measurement\u003c\/strong\u003e\u003cbr\u003eThe LiDAR Range Finder can cast up to 43,200 ranging points within a 10-meter detection range. Compared with phase detection autofocus (PDAF), Ronin 4D’s LiDAR Focusing System can focus faster, without compromising the image quality or relying on the surface texture of the subject. This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003cbr\u003eWith the new LiDAR Focusing System, Ronin 4D is able to maintain focus even when there is severe motion blur caused by subjects moving quickly. With the focus motor mounted, autofocus is available even on manual lenses. Continuous autofocusing on subjects can be enabled together with ActiveTrack Pro, making it especially convenient for solo operators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomated Manual Focus\u003c\/strong\u003e\u003cbr\u003eAutomated Manual Focus (AMF) mode gives you the accuracy and flexibility of manual focus with the convenience of autofocus. The focus wheel will rotate in sync as the focus point changes, but cinematographers can take manual control at any point. The focus wheel on the right hand grip even features dynamic damping with electromagnetic technology. This gives cinematographers a physical sense of focus changes, providing a more intuitive and modern focusing experience that is unrivaled in the industry today.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIt's All in the Details\u003cbr\u003eOutperforms in Every Way\u003cbr\u003eMonitoring\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eHigh-Bright Main Monitor: The 5.5-inch 1000-nit adjustable screen can be mounted to various points on the main body.\u003c\/li\u003e\n\u003cli\u003eExposure Assistance: Exposure waveform, false colour, and zebra.\u003c\/li\u003e\n\u003cli\u003eFocus Assistance: LiDAR waveform, peaking (aperture and colour peaking), and focus magnification (2x and 4x).\u003c\/li\u003e\n\u003cli\u003eTools Overlay: Customizable frame guides, safe zone, and center marker.\u003c\/li\u003e\n\u003cli\u003eColour Preview: Supports customizable LUT input.\u003c\/li\u003e\n\u003cli\u003eMulti-link independent monitoring: Video recording, main monitor, main body HDMI, and remote monitor feeds can load independent LUTs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eSound Recording\u003c\/strong\u003e\u003cbr\u003eRonin 4D is equipped with built-in microphones that support dual-channel 24-bit audio recording. It also provides 3.5mm jacks and XLR microphone ports for more audio input solutions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStorage\u003c\/strong\u003e\u003cbr\u003eRonin 4D has a built-in CFexpress Type-B slot along with a USB 3.1 Type-C expansion port for recording directly to an external media disk. It also offers internal recording of the highest-specification videos with DJI PROSSD 1TB, which can be directly connected to a computer via USB-C cable to access media without a traditional SSD reader. These storage choices provide solutions for high cost-effectiveness and to those who want an unrivaled combination of performance and stability.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBattery Life \u003c\/strong\u003e\u003cbr\u003eJust like Ronin 2 and Inspire 2, DJI Ronin 4D uses TB50 Intelligent Batteries, which offer up to 2.5 hours of shooting time and can be fully charged in just 1.5 hours. Auto-heating is also supported to enable reliable functionality in severely cold conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMain Body Ports\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eMain Monitor Port: Connect to the main monitor via a designated cable\u003c\/li\u003e\n\u003cli\u003e3.5mm Stereo Jack: Monitor audio in real time\u003c\/li\u003e\n\u003cli\u003eMicrophone Jack: For 3.5mm microphone or line input\u003c\/li\u003e\n\u003cli\u003eHDMI Type-A Output Port: Supports output of 1080p\/60fps\u003c\/li\u003e\n\u003cli\u003ePower Input Port: Supports 12 V to 30 V power input\u003c\/li\u003e\n\u003cli\u003eTimecode Port: For timecode input and output\u003c\/li\u003e\n\u003cli\u003eSDI Port: Supports 3D-SDI signal output\u003c\/li\u003e\n\u003cli\u003eXLR Port: For microphone and line input, supports 48 V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eRemote Monitor Ports\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e3.5mm Stereo Jack: Monitor audio in real time\u003c\/li\u003e\n\u003cli\u003emicroSD Card Slot: For internal recording of video feed\u003c\/li\u003e\n\u003cli\u003eHDMI Type-A Input Port: Supports input of 1080p\/60fps\u003c\/li\u003e\n\u003cli\u003eType-C Port: For UVC live streaming and firmware updates\u003c\/li\u003e\n\u003cli\u003ePower Input Port: 6.8 V to 17.6 V power input (including CAN input and output, and connection with DJI Master Wheels and DJI Force Pro)\u003c\/li\u003e\n\u003cli\u003eHDMI Type-A Output Port: Supports output of 1080p\/60fps\u003c\/li\u003e\n\u003cli\u003eSDI Port: 3D-SDI signal output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eWhat's included:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e1x Zenmuse X9-6K Gimbal Camera\u003c\/li\u003e\n\u003cli\u003e1x Main Body\u003c\/li\u003e\n\u003cli\u003e1x LiDAR Range Finder\u003c\/li\u003e\n\u003cli\u003e1x DL Mount\u003c\/li\u003e\n\u003cli\u003e1x Left Hand Grip\u003c\/li\u003e\n\u003cli\u003e1x Right Hand Grip\u003c\/li\u003e\n\u003cli\u003e1x Top Handle\u003c\/li\u003e\n\u003cli\u003e1x High-Bright Main Monitor\u003c\/li\u003e\n\u003cli\u003e1x TB50 Battery Mount\u003c\/li\u003e\n\u003cli\u003e1x Power Adapter\u003c\/li\u003e\n\u003cli\u003e 1x TB50 Charging Adapter\u003c\/li\u003e\n\u003cli\u003e8x AC Power Cable\u003c\/li\u003e\n\u003cli\u003e1x USB-A to USB-C Cable\u003c\/li\u003e\n\u003cli\u003e1x Base Plate\u003c\/li\u003e\n\u003cli\u003e1x Hand Grip Extended Control Sticks\u003c\/li\u003e\n\u003cli\u003e1x 3mm Ball-End Hex Key\u003c\/li\u003e\n\u003cli\u003e1x 1.5mm Ball-End Hex Key\u003c\/li\u003e\n\u003cli\u003e3x 10mm 1\/4\"-20 Screw\u003c\/li\u003e\n\u003cli\u003e1x Flat Head Screwdriver\u003c\/li\u003e\n\u003cli\u003e1x DL Mount Body Cap\u003c\/li\u003e\n\u003cli\u003e1x X9 Gimbal Base Cap\u003c\/li\u003e\n\u003cli\u003e1x DX Mount Body Cap\u003c\/li\u003e\n\u003cli\u003e1x DX Mount Lens Cap\u003c\/li\u003e\n\u003cli\u003e1x Ronin 4D Gimbal Base Cap\u003c\/li\u003e\n\u003cli\u003e1x TB50 Intelligent Battery\u003c\/li\u003e\n\u003cli\u003e1x LiDAR Range Finder\/Focus Motor Cable\u003c\/li\u003e\n\u003cli\u003e1x Left Hand Grip Strap\u003c\/li\u003e\n\u003cli\u003e1x Right Hand Grip Strap\u003c\/li\u003e\n\u003cli\u003e1x Ronin 4D Carrying Case\u003c\/li\u003e\n\u003cli\u003e1x X9 Counterweight (106 g)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DJI Innovations","offers":[{"title":"Default Title","offer_id":51752847278379,"sku":"CP.RN.00000176.01","price":6389.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/32212SqklkrZFLl1hwURfw.jpg?v=1769600541"},{"product_id":"dji-camera-cp-rn-00000351-01-ronin-4d-4-axis-cinema-camera-8k-combo-retail","title":"Ronin 4D 4-Axis Cinema Camera 8K Combo Kit","description":"\u003cstrong\u003eRonin 4D 4-Axis Cinema Camera\u003cbr\u003eThe Future is Rolling \u003cbr\u003eTransmission \u0026amp; Control\u003c\/strong\u003e\u003cbr\u003eWith Ronin 4D, DJI's most advanced technologies have been integrated into one cutting-edge and comprehensive cinematography solution, which offers groundbreaking flexibility to solo cinematographers and unlimited possibilities for coordinated shooting. This powerful, next-generation cinema camera was designed and built to be the future of filmmaking.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eHighly Integrated Modular Design\u003c\/li\u003e\n\u003cli\u003eFull-Frame Gimbal Camera\u003c\/li\u003e\n\u003cli\u003e8K\/75fps Internal RAW Recording\u003c\/li\u003e\n\u003cli\u003e4-Axis Active Stabilization\u003c\/li\u003e\n\u003cli\u003eLiDAR Focusing\u003c\/li\u003e\n\u003cli\u003eWireless Transmission and Control System\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eIntegrated Design\u003cbr\u003eThe Future Is All-In-One\u003cbr\u003eIntegrated and Modular | Both Realized in One Camera\u003c\/strong\u003e\u003cbr\u003eDJI Ronin 4D offers a completely unique design. Crafted with carbon fiber and aluminum magnesium, its solid body integrates the imaging, stabilization, and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and enables quicker shooting. Users can now enjoy compact convenience along with the expansive possibilities from modular accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic Imaging System\u003cbr\u003eDesigned for Pros\u003cbr\u003eProcessing Power\u003c\/strong\u003e\u003cbr\u003eRonin 4D is equipped with Zenmuse X9, DJI’s flagship full-frame camera. It also features DJI’s latest image processing system, CineCore 3.0. This system uses DJI’s proprietary chip to provide advanced processor architecture, offering extremely high-performance computing power in a cinema camera today. CineCore 3.0 allows Ronin 4D to support internal recording of Apple ProRes RAW, ProRes 422 HQ, and H.264 video. It also supports up to 8K\/75fps and 4K\/120fps video recording, delivering multiple options for professional-level creation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull-Frame Sensor | Resolution\u003c\/strong\u003e\u003cbr\u003eDCI 8K (8192×4320)\/60fps video retains every little detail, from rich foliage to inspiring architecture, skin texture to strands of hair, all with flawless quality. For those who need to output in 4K, recording in 8K offers unprecedented creative options with more flexibility for cropping, re-composing, and stabilizing videos in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh ISO\u003c\/strong\u003e\u003cbr\u003eZenmuse X9 supports dual native ISO (X9-8K: 800\/4000; X9-6K: 800\/5000), which records images with exquisite detail and minimal noise, even when filming an evening cityscape or beach, or a scene lit by dim candlelight.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eColour Science\u003c\/strong\u003e\u003cbr\u003eWith the DJI Cinema Colour System (DCCS) and robust computing power provided by CineCore 3.0, Zenmuse X9 is able to give images a cinematic look by retaining authentic and accurate colours. It also supports the industry-standard ACES workflow for effortless compatibility with the colour tones of other cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless Control\u003c\/strong\u003e\u003cbr\u003eWhether you’re using manual or autofocus lenses, dedicated modules mounted to X9 can achieve wireless lens control and even autofocusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDL Lenses\u003c\/strong\u003e\u003cbr\u003eX9’s standard DL mount supports three compact full-frame prime lenses. The housings are made of lightweight, monocoque carbon fiber, so each lens weighs just about 180g. More DJI lenses will be available in the future.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In 9-Stop ND Filters\u003c\/strong\u003e\u003cbr\u003eX9 has 9-stop built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be quickly and easily switched thanks to an internal motorized system. These filters were also designed to match and compliment the colour science of Ronin 4D. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003eWith 14+ stops of dynamic range, Zenmuse X9 delivers natural transitions of highlights and shadows in complex lighting conditions such as backlit scenes and direct sunlight. These traditionally difficult scenes can now be captured easily and with confidence.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterchangeable Mounts\u003c\/strong\u003e\u003cbr\u003eX9 supports interchangeable lens mounts, including DJI’s proprietary DL mount as well as third-party mounts like Leica M. Ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic lenses that are compatible with traditional cinema cameras also work on X9, providing flexible lens options. (DL Mount | M Mount | E Mount)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-Axis Stabilization\u003c\/strong\u003e\u003cbr\u003eDJI Ronin 4D adds a Z-axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilization performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilization to a whole new level. When this compact body combines with its powerful stabilization capabilities, complex camera movements that used to be very costly to achieve are now easily attainable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Gimbal Camera\u003c\/strong\u003e\u003cbr\u003eRonin 4D integrates the imaging and stabilization systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003cbr\u003e\u003cbr\u003eThe compact and portable gimbal system allows shooting to begin without the need for tedious manual balancing. This also delivers stable footage, even with lenses that have a shifting center of gravity during use. With a highly integrated body and robust motor force, Ronin 4D offers the best stabilizing and tracking performance of the entire Ronin Series so far at an incredibly light weight. Additionally, it can switch to Sport mode with the press of a button, allowing the gimbal to react quickly to the cinematographer's movements. It also supports wireless gimbal control and versatile mounting configurations for varied shooting scenarios.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eActiveTrack Pro\u003c\/strong\u003e\u003cbr\u003eDJI’s proprietary computer vision, deep learning technology, and the robust computing power of CineCore 3.0 combine in ActiveTrack Pro, which enables cinema-standard tracking shots, even in just one take. This technology also allows subjects to be tracked from longer distances and features composition adjustment with continuous autofocusing to keep subjects in focus during tracking shots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVersatile Beyond Imagination\u003cbr\u003eVideo Transmission Performance\u003c\/strong\u003e\u003cbr\u003eRonin 4D uses the all-new DJI O3 Pro Video Transmission technology, which offers a 20,000-foot transmission range that would be unimaginable on traditional solutions. In addition to 2.4GHz and 5.8GHz, it supports the DFS frequency band and an AES 256-bit encryption algorithm that can output a 1080p\/60fps FHD feed to multiple remote monitors simultaneously with significantly enhanced security, stability, and anti-interference capability.\u003cbr\u003e\u003cbr\u003eDJI's proprietary chip powers the imaging system, video transmitter, video receiver, and remote monitor of Ronin 4D. Together, these components form a streamlined wireless transmission system, with every link explicitly optimized to provide end-to-end ultra-low transmission latency.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Design\u003c\/strong\u003e\u003cbr\u003eThe 4D Video Transmitter can be directly mounted onto Ronin 4D and powered by the battery of the main body. With a built-in wireless video receiver, the High-Bright Remote Monitor has a 7-inch, 1,500-nit high-bright, wide colour gamut touchscreen display that can output both HDMI and SDI signals through the expansion module. Its compact and lightweight body provides optimum portability and efficient setup so users can start shooting immediately.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMirror Control Mode\u003c\/strong\u003e\u003cbr\u003eMirror Control Mode gives the High-Bright Remote Monitor an identical control interface as the main monitor, including all advanced features such as source material playback, video specification and gimbal settings, which can now be remotely adjusted even when Ronin 4D is mounted to expansion platforms such as a jib, cable cam, or vehicle mount.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIndependent Recording and Playback\u003c\/strong\u003e\u003cbr\u003eThe High-Bright Remote Monitor has a built-in microSD card slot that supports independent recording of video at up to 1080p\/60fps. When several remote monitors are used in conjunction, each monitor can play back material separately without interfering with other monitors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnparalleled Accuracy\u003cbr\u003eLiDAR Focusing System\u003cbr\u003eLiDAR Waveform\u003c\/strong\u003e\u003cbr\u003eDJI Ronin 4D makes manual focusing easier than ever. The visualized focus assistance technology displays the ranging points on the main and remote monitors in a simplified top-down view. This provides an innovative and intuitive LiDAR Waveform to locate focus points quickly and allow focus adjustments with extreme precision. Even operators with little or no experience can become adept at manual focusing quickly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLiDAR Range Measurement\u003c\/strong\u003e\u003cbr\u003eThe LiDAR Range Finder can cast up to 43,200 ranging points within a 10-meter detection range. Compared with phase detection autofocus (PDAF), Ronin 4D’s LiDAR Focusing System can focus faster, without compromising the image quality or relying on the surface texture of the subject. This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003cbr\u003eWith the new LiDAR Focusing System, Ronin 4D is able to maintain focus even when there is severe motion blur caused by subjects moving quickly. With the focus motor mounted, autofocus is available even on manual lenses. Continuous autofocusing on subjects can be enabled together with ActiveTrack Pro, making it especially convenient for solo operators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomated Manual Focus\u003c\/strong\u003e\u003cbr\u003eAutomated Manual Focus (AMF) mode gives you the accuracy and flexibility of manual focus with the convenience of autofocus. The focus wheel will rotate in sync as the focus point changes, but cinematographers can take manual control at any point. The focus wheel on the right hand grip even features dynamic damping with electromagnetic technology. This gives cinematographers a physical sense of focus changes, providing a more intuitive and modern focusing experience that is unrivaled in the industry today.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutperforms in Every Way\u003cbr\u003eMonitoring\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003eHigh-Bright Main Monitor: The 5.5-inch 1000-nit adjustable screen can be mounted to various points on the main body.\u003c\/li\u003e\n\u003cli\u003eExposure Assistance: Exposure waveform, false colour, and zebra.\u003c\/li\u003e\n\u003cli\u003eFocus Assistance: LiDAR waveform, peaking (aperture and colour peaking), and focus magnification (2x and 4x).\u003c\/li\u003e\n\u003cli\u003eTools Overlay: Customizable frame guides, safe zone, and center marker.\u003c\/li\u003e\n\u003cli\u003eColour Preview: Supports customizable LUT input.\u003c\/li\u003e\n\u003cli\u003eMulti-link independent monitoring: Video recording, main monitor, main body HDMI, and remote monitor feeds can load independent LUTs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong\u003eSound Recording\u003c\/strong\u003e\u003cbr\u003eRonin 4D is equipped with built-in microphones that support dual-channel 24-bit audio recording. 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In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAstounding image quality in low light \u003c\/strong\u003e\u003cbr\u003eThe FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low lighting conditions such as live concerts. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow motion for extensive creative possibilities \u003c\/strong\u003e\u003cbr\u003eSmooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. 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Zoom can be controlled either via the joystick or a seesaw lever. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-performance remote controller RM-IP500\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be paired with Sony’s RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom3 operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-camera shooting\u003cbr\u003eExpand your creative options\u003c\/strong\u003e\u003cbr\u003eThe FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. 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A red tally light can identify the on-air camera while a green tally light indicates the preview camera. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupplied infrared remote controller \u003c\/strong\u003e\u003cbr\u003eThe infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated ceiling mount bracket CIB-PCM1\u003c\/strong\u003e\u003cbr\u003eThe FR7 is compatible with the CIB-PCM1 ceiling mount bracket for easy overhead setup. The \"Ceiling\" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding connectivity \u003cbr\u003eInterfaces and IP transmission methods for a wide range of use cases\u003c\/strong\u003e\u003cbr\u003eThe FR7 provides excellent connectivity for video output, IP streaming and synchronization with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. 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The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIP streaming made easy\u003cbr\u003eSupport for multiple protocols to meet your streaming needs \u003c\/strong\u003e\u003cbr\u003eRTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. 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A choice of focal lengths ranging from 12 mm to 1,200 mm gives you comprehensive creative control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinema Line image quality\u003c\/strong\u003e\u003cbr\u003eThe FR7’s \"Cinema Line\" name identifies it as part of a renowned lineup of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStaggering latitude for powerful expression\u003c\/strong\u003e\u003cbr\u003eThe FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAstounding image quality in low light \u003c\/strong\u003e\u003cbr\u003eThe FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low lighting conditions such as live concerts. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow motion for extensive creative possibilities \u003c\/strong\u003e\u003cbr\u003eSmooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120fps in 4K resolution, and up to 240fps in full HD. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 60p 4:2:2 ten-bit output \u003c\/strong\u003e\u003cbr\u003eThe FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for S-Log3\/S-Gamut3\u003c\/strong\u003e\u003cbr\u003eThe optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAll-Intra recording for precise motion capture \u003c\/strong\u003e\u003cbr\u003eThe FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn instant cinematic look with S-Cinetone\u003c\/strong\u003e\u003cbr\u003eS-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eA wide variety of lenses to deliver your vision\u003c\/strong\u003e\u003cbr\u003eThe FR7 features Sony’s E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1,200 mm gives you full creative control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExquisite, impressive bokeh\u003c\/strong\u003e\u003cbr\u003eTaking advantage of the camera’s full-frame sensor and Sony’s extraordinary lineup of lenses, you can create expressive bokeh effects with a shallow depth of field—an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe advantages of Sony’s lenses for video shooting \u003c\/strong\u003e\u003cbr\u003eThe best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony’s lenses and the FR7 will enhance your video creation experience. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens support rods\u003c\/strong\u003e\u003cbr\u003eTwo lens rods provided below the camera head allow attachment of standard 15 mm rod-mountable accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapture the scene from any angle\u003c\/strong\u003e\u003cbr\u003eThe FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from –170 ° to +170 °, and the tilt angle range is from –30 ° to +195 ° when used in normal upright orientation. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eA full-featured dedicated Web App\u003c\/strong\u003e\u003cbr\u003eWith a new dedicated Web App, you can use a tablet or a computer’s web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-performance remote controller RM-IP500\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be paired with Sony’s RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-performance remote controller RM-IP500\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be paired with Sony’s RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom3 operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-camera shooting\u003cbr\u003eExpand your creative options\u003c\/strong\u003e\u003cbr\u003eThe FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP500 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIllustration showing the GUI of the Web App\u003c\/strong\u003e\u003cbr\u003eFine-tuned control over camera movement \u003cbr\u003ePan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUp to 100 preset camera positions\u003c\/strong\u003e\u003cbr\u003eThe supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClear Image Zoom to refine your angle of view \u003c\/strong\u003e\u003cbr\u003eThe FR7 includes Sony’s Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable auto focus for remote shooting\u003c\/strong\u003e\u003cbr\u003eFor remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReal-time Tracking for remote shooting\u003c\/strong\u003e\u003cbr\u003eConcentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts auto focus for your chosen subject, complete with Real-time Tracking for professional and efficient production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReal-time Eye AF for remote shooting \u003c\/strong\u003e\u003cbr\u003eUnderpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElectronic Variable ND Filter for smooth remote operation \u003c\/strong\u003e\u003cbr\u003eSony’s built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1\/4 to 1\/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBreathing Compensation\u003c\/strong\u003e\u003cbr\u003eThe FR7 includes a Breathing Compensation function that minimizes unwanted changes in angle of view, for better-looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTally lights to facilitate multi-camera production\u003c\/strong\u003e\u003cbr\u003eThe FR7’s red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupplied infrared remote controller \u003c\/strong\u003e\u003cbr\u003eThe infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDedicated ceiling mount bracket CIB-PCM1\u003c\/strong\u003e\u003cbr\u003eThe FR7 is compatible with the CIB-PCM1 ceiling mount bracket for easy overhead setup. The \"Ceiling\" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding connectivity \u003cbr\u003eInterfaces and IP transmission methods for a wide range of use cases\u003c\/strong\u003e\u003cbr\u003eThe FR7 provides excellent connectivity for video output, IP streaming and synchronization with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConnecting to external devices\u003c\/strong\u003e\u003cbr\u003eEasily connect to external devices to provide timecode synchronization, control tally light signals and coordinate synchronization signals in multi-camera setups.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTC IN connector\u003c\/strong\u003e\u003cbr\u003eReceives timecode from an external device to be used for synchronization. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"Option\" connector\u003c\/strong\u003e\u003cbr\u003eConnects tally light signals to an external device. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGENLOCK connector\u003c\/strong\u003e\u003cbr\u003eReceives synchronization signals from an external device for use in multi-camera setups.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLAN and PoE++ connector\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDC IN connector \u003c\/strong\u003e\u003cbr\u003eIf not using PoE++, the supplied AC adapter connects to the FR7’s \"DC IN\" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIP streaming made easy\u003cbr\u003eSupport for multiple protocols to meet your streaming needs \u003c\/strong\u003e\u003cbr\u003eRTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI-compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797019230507,"sku":"ILMEFR7K","price":15698.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/VO1VZyEzaYqaMDq3kfVTNw_39436e0c-d069-4fa2-bd3d-4ef15c89a2e0.jpg?v=1769601546"},{"product_id":"sony-fx2-avec-poignee-xlr","title":"FX2 Full-frame Cinema Line Camera - Body and XLR Handle Unit","description":"\u003cstrong\u003eThe gateway to cinematography\u003c\/strong\u003e\u003cbr\u003eAs a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor that professional cinematic look\u003c\/strong\u003e\u003cbr\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr\u003eFor creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators' Cloud and selected as needed.  The LUT used for recording can then be embedded in the video metadata for post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr\u003eAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr\u003eSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for solo shooting\u003c\/strong\u003e\u003cbr\u003eCombining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr\u003eAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr\u003eThe FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStabilization for dynamic handheld shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability for professional filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m-1 dioptre), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4:2:2 10bit or 16bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMonitor and Control\u003c\/strong\u003e\u003cbr\u003eSony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreators’ Cloud platform\u003c\/strong\u003e\u003cbr\u003eCreators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr\u003eRecorded files can be directly uploaded to Creators' Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators' Cloud, data can be transferred to other cloud services such as Google Drive or Adobe Lightroom to suit your workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr\u003eAccessibility features, such as a menu magnifier and a screen reader39 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797019296043,"sku":"ILMEFX2","price":4249.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/0UCgnWwrN4us28Q_psYnkA_c9bf714f-7458-4b11-84eb-9a85abd94f42.jpg?v=1769601555"},{"product_id":"sony-fx2-boitier-seulement","title":"FX2 Full-frame Cinema Line Camera - Body Only","description":"\u003cstrong\u003eThe gateway to cinematography\u003c\/strong\u003e\u003cbr\u003eAs a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor that professional cinematic look\u003c\/strong\u003e\u003cbr\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr\u003eFor creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators' Cloud and selected as needed.  The LUT used for recording can then be embedded in the video metadata for post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr\u003eAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr\u003eSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for solo shooting\u003c\/strong\u003e\u003cbr\u003eCombining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr\u003eAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr\u003eThe FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStabilization for dynamic handheld shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability for professional filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m-1 dioptre), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4:2:2 10bit or 16bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMonitor and Control\u003c\/strong\u003e\u003cbr\u003eSony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreators’ Cloud platform\u003c\/strong\u003e\u003cbr\u003eCreators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr\u003eRecorded files can be directly uploaded to Creators' Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators' Cloud, data can be transferred to other cloud services such as Google Drive or Adobe Lightroom to suit your workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr\u003eAccessibility features, such as a menu magnifier and a screen reader39 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797022507307,"sku":"ILMEFX2B","price":3749.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/UqfOCrXKETynM-Qa7JJc-w_4513e9db-dc98-4280-abe5-66c14329570a.jpg?v=1769601556"},{"product_id":"sony-alpha-fx3-boitier-disco","title":"FX3 Full-frame Cinema Line Camera - Body Only","description":"\u003cstrong\u003eNew Cinematic Freedom\u003c\/strong\u003e\u003cbr\u003eSony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn service of cinematic expression\u003cbr\u003eFull-frame image capture even in dim light\u003c\/strong\u003e\u003cbr\u003eThe FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWide dynamic range, wider creative expression\u003c\/strong\u003e\u003cbr\u003eThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in midday to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003eCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic colour science of S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eS-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 120fps with every frame in focus \u003c\/strong\u003e\u003cbr\u003eEven at high frame rates, detailed 4K imagery is captured thanks to the FX3’s high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003c\/strong\u003e\u003cbr\u003eS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e16-bit RAW HDMI output \u003c\/strong\u003e\u003cbr\u003eFor demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnjoy rich detail and realistic colour\u003c\/strong\u003e\u003cbr\u003eThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.   \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr\u003eThe wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated tracking AF for steady focus\u003c\/strong\u003e\u003cbr\u003eSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSmooth transitions and touch focus control \u003c\/strong\u003e\u003cbr\u003eThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-performance E-mount lenses for movies\u003c\/strong\u003e\u003cbr\u003eExperience smooth, responsive autofocus with Sony’s E-mount lenses, with premium optical performance and operability for tough cinematography applications. The unique linear-drive actuator technology in Sony’s E-mount lenses provides smoother, more precise and tenacious AF performance to support creative endeavours.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-mobility performance wherever you go\u003c\/strong\u003e\u003cbr\u003eWith its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAttachable XLR handle \u003c\/strong\u003e\u003cbr\u003eA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera image stabilization \u003c\/strong\u003e\u003cbr\u003eActive Mode is an optical in-body 5-axis image stabilization system that provides increased stabilization for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilization and easier editing with Catalyst\u003c\/strong\u003e\u003cbr\u003eCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony’s Catalyst Browse \/ Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExpandability and operability for content creators\u003cbr\u003eFront and rear tally lamps \u003c\/strong\u003e\u003cbr\u003eTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVari-angle LCD touch-panel monitor\u003c\/strong\u003e\u003cbr\u003eThe 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssential controls for efficient solo shooting\u003c\/strong\u003e\u003cbr\u003eIn addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K\/60p recording\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K\/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimize cooling even during long shoots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr\u003eIn addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual high-speed media slots \u003c\/strong\u003e\u003cbr\u003eDesigned for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote camera control and network transfer\u003c\/strong\u003e\u003cbr\u003eA network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemote preview, shooting and streaming\u003c\/strong\u003e\u003cbr\u003eEither wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797022572843,"sku":"ILMEFX3","price":4998.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/ktBjlCXaRyV7rLp_s-opSA_765f3ed3-94f2-4e45-9bb4-170f634b3842.jpg?v=1769601561"},{"product_id":"sony-fx30-avec-poignee-xlr","title":"FX30 compact Cinema Line Gateway Camera - Body Only with XLR Handle Unit","description":"\u003cstrong\u003eLeap into the world of filmmaking\u003c\/strong\u003e\u003cbr\u003eSony’s acclaimed lineup of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high-level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for visual storytelling\u003c\/strong\u003e\u003cbr\u003eThe FX30’s S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDrawing on the Cinema Line heritage\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFilm industry experience allied with state-of-the-art imaging technology\u003c\/strong\u003e\u003cbr\u003eThe outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony’s sophisticated new technologies on the cutting edge of digital imaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBeautiful imagery\u003cbr\u003eAdvanced technology for outstanding resolution\u003c\/strong\u003e\u003cbr\u003eThe FX30’s back-illuminated Exmor R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR processing engine enables natural gradations, realistic colour reproduction, low noise and other image quality improvements.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone gives you a cinematic look without grading\u003c\/strong\u003e\u003cbr\u003eThe S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInfinite possibilities of expression with S-Log3\u003c\/strong\u003e\u003cbr\u003eFor production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30’s expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser LUTs provide an accurate image preview\u003c\/strong\u003e\u003cbr\u003eCustomizable LUTs, both preset and user-supplied, can be applied to the FX30’s LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit 4:2:2 recording for greater editing latitude\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine EI, Cine EI Quick and Flexible ISO modes\u003cbr\u003eFlexible exposure mode handling\u003c\/strong\u003e\u003cbr\u003eCine EI2 offers wide latitude and the highest possible image quality, while Cine EI Quick2 simplifies setup by automatically switching the camera’s base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO (ISO 800\/ISO 2500)\u003c\/strong\u003e\u003cbr\u003eWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow-motion images at up to 120 frames per second\u003c\/strong\u003e\u003cbr\u003eWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable AF maintains a steady focus\u003cbr\u003eSophisticated tracking features let you concentrate on your shoot\u003c\/strong\u003e\u003cbr\u003eThe FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony’s unique AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-body image stabilization for hand-held shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003cbr\u003eIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReady to go wherever you shoot\u003c\/strong\u003e\u003cbr\u003eCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It’s designed to withstand long shoots, with sturdy construction suited to harsh conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body\u003cbr\u003eDesigned for mobility and comfortable operation\u003c\/strong\u003e\u003cbr\u003eWeighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that’s suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree thread holes in the XLR handle unit for accessories\u003c\/strong\u003e\u003cbr\u003eExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers or other add-ons can be stably and securely attached to the FX30’s XLR handle unit.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable operation for long shoots at 4K\u003c\/strong\u003e\u003cbr\u003eWith its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD), the FX30 is designed to keep working reliably over extended shoots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003eThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew main menu\u003cbr\u003eQuick access to frequently used features\u003c\/strong\u003e\u003cbr\u003eWhile shooting, you can access frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo CFexpress Type A and SD card compatible media slots\u003c\/strong\u003e\u003cbr\u003eCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible high resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It’s bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity in a compact body\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone and a Multi Interface Shoe with built-in digital audio interface.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExpandable to meet your needs\u003c\/strong\u003e\u003cbr\u003eWhether it’s finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony’s E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChoose your audio input source\u003c\/strong\u003e\u003cbr\u003eThe FX30’s XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced image stabilization and easier workflows with Catalyst\u003c\/strong\u003e\u003cbr\u003eThe FX30 records a wealth of metadata for use with Sony’s Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePursuing a sustainable product ecosystem\u003c\/strong\u003e\u003cbr\u003eMeasures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWorking toward a zero footprint\u003cbr\u003eEnvironmental measures with the FX30\u003c\/strong\u003e\u003cbr\u003eThe SORPLAS material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797025784107,"sku":"ILMEFX30","price":2898.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/GenXhKjy917NcEksCPTPTg_3b1b14f0-059c-41a4-82fd-1e9db6b6e837.jpg?v=1769601559"},{"product_id":"sony-fx30-boitier-seulement","title":"FX30 compact Cinema Line Gateway Camera - Body Only","description":"\u003cstrong\u003eLeap into the world of filmmaking\u003c\/strong\u003e\u003cbr\u003eSony’s acclaimed lineup of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high-level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for visual storytelling\u003c\/strong\u003e\u003cbr\u003eThe FX30’s S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDrawing on the Cinema Line heritage\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFilm industry experience allied with state-of-the-art imaging technology\u003c\/strong\u003e\u003cbr\u003eThe outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony’s sophisticated new technologies on the cutting edge of digital imaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBeautiful imagery\u003cbr\u003eAdvanced technology for outstanding resolution\u003c\/strong\u003e\u003cbr\u003eThe FX30’s back-illuminated Exmor R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR processing engine enables natural gradations, realistic colour reproduction, low noise and other image quality improvements.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone gives you a cinematic look without grading\u003c\/strong\u003e\u003cbr\u003eThe S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInfinite possibilities of expression with S-Log3\u003c\/strong\u003e\u003cbr\u003eFor production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30’s expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser LUTs provide an accurate image preview\u003c\/strong\u003e\u003cbr\u003eCustomizable LUTs, both preset and user-supplied, can be applied to the FX30’s LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit 4:2:2 recording for greater editing latitude\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCine EI, Cine EI Quick and Flexible ISO modes\u003cbr\u003eFlexible exposure mode handling\u003c\/strong\u003e\u003cbr\u003eCine EI2 offers wide latitude and the highest possible image quality, while Cine EI Quick2 simplifies setup by automatically switching the camera’s base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO (ISO 800\/ISO 2500)\u003c\/strong\u003e\u003cbr\u003eWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSlow-motion images at up to 120 frames per second\u003c\/strong\u003e\u003cbr\u003eWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable AF maintains a steady focus\u003cbr\u003eSophisticated tracking features let you concentrate on your shoot\u003c\/strong\u003e\u003cbr\u003eThe FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony’s unique AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-body image stabilization for hand-held shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003cbr\u003eIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReady to go wherever you shoot\u003c\/strong\u003e\u003cbr\u003eCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It’s designed to withstand long shoots, with sturdy construction suited to harsh conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body\u003cbr\u003eDesigned for mobility and comfortable operation\u003c\/strong\u003e\u003cbr\u003eWeighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that’s suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree thread holes in the XLR handle unit for accessories\u003c\/strong\u003e\u003cbr\u003eExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers or other add-ons can be stably and securely attached to the FX30’s XLR handle unit.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable operation for long shoots at 4K\u003c\/strong\u003e\u003cbr\u003eWith its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD), the FX30 is designed to keep working reliably over extended shoots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003eThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew main menu\u003cbr\u003eQuick access to frequently used features\u003c\/strong\u003e\u003cbr\u003eWhile shooting, you can access frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo CFexpress Type A and SD card compatible media slots\u003c\/strong\u003e\u003cbr\u003eCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible high resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It’s bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity in a compact body\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone and a Multi Interface Shoe with built-in digital audio interface.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExpandable to meet your needs\u003c\/strong\u003e\u003cbr\u003eWhether it’s finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony’s E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChoose your audio input source\u003c\/strong\u003e\u003cbr\u003eThe FX30’s XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced image stabilization and easier workflows with Catalyst\u003c\/strong\u003e\u003cbr\u003eThe FX30 records a wealth of metadata for use with Sony’s Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePursuing a sustainable product ecosystem\u003c\/strong\u003e\u003cbr\u003eMeasures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWorking toward a zero footprint\u003cbr\u003eEnvironmental measures with the FX30\u003c\/strong\u003e\u003cbr\u003eThe SORPLAS material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797029028139,"sku":"ILMEFX30B","price":2398.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/lmSDdyqfQW6SUG0twBr0Wg_f5039023-0393-4214-8b6e-be08488cab8c.jpg?v=1769601558"},{"product_id":"sony-fx3a-avec-poignee-xlr","title":"FX3A Full-frame Cinema Line Camera - Body Only","description":"\u003cstrong\u003eNew Cinematic Freedom\u003c\/strong\u003e\u003cbr\u003eSony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull-frame image capture even in dim light\u003c\/strong\u003e\u003cbr\u003eThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWide dynamic range, wider creative expression\u003c\/strong\u003e\u003cbr\u003eThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003eCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic color science of S-Cinetone\u003c\/strong\u003e\u003cbr\u003eS-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 120fps with every frame in focus \u003c\/strong\u003e\u003cbr\u003eEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003c\/strong\u003e\u003cbr\u003eS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e16-bit RAW HDMI output \u003c\/strong\u003e\u003cbr\u003eFor demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnjoy rich detail and realistic color\u003c\/strong\u003e\u003cbr\u003eThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003cbr\u003eWith the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses.\u003cbr\u003e\u003cbr\u003eThe breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr\u003eThe wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated tracking AF for steady focus\u003c\/strong\u003e\u003cbr\u003eSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSmooth transitions and touch focus control\u003c\/strong\u003e\u003cbr\u003eThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvantages of Sony’s lenses for video shooting\u003c\/strong\u003e\u003cbr\u003eLearn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-mobility performance wherever you go\u003c\/strong\u003e\u003cbr\u003eWith its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAttachable XLR handle\u003c\/strong\u003e\u003cbr\u003eA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-camera image stabilization\u003c\/strong\u003e\u003cbr\u003eActive Mode8,9,10 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilisation and easier editing with Catalyst\u003c\/strong\u003e\u003cbr\u003eCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse \/ Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFront and rear tally lamps \u003c\/strong\u003e\u003cbr\u003eTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVari-angle LCD touch-panel monitor\u003c\/strong\u003e\u003cbr\u003eThe 3.0-type (2.36 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEssential controls for efficient solo shooting\u003c\/strong\u003e\u003cbr\u003eIn addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K\/60p recording\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K\/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr\u003eIn addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual high-speed media slots \u003c\/strong\u003e\u003cbr\u003eDesigned for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless monitoring and remote control\u003c\/strong\u003e\u003cbr\u003eConnecting a smartphone or tablet to the camera with the Monitor \u0026amp; Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUpload videos to the could or your smartphone\u003c\/strong\u003e\u003cbr\u003eCreators' App is a smartphone application that allows you to connect your Sony camera to the cloud, enhancing functionality and convenience for shooting and sharing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreators' Cloud platform\u003c\/strong\u003e\u003cbr\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.","brand":"Sony","offers":[{"title":"Default Title","offer_id":51797032272171,"sku":"ILMEFX3A","price":5449.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/pe6VR9Vfu_zw39S0mI1c1g_e94c06a6-f474-46f6-b576-f26e50d59736.jpg?v=1769601573"},{"product_id":"sony-fx6-boitier-seulement","title":"FX6 Full-Frame Cinema Camera - Body Only","description":"\u003cstrong\u003eReady to tell amazing stories\u003c\/strong\u003e\u003cbr\u003eInside a compact body that's ready for grab-and-shoot action, the FX6 packs a highly sensitive, full-frame image sensor with the power to expand your moviemaking creativity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisual stories with extraordinary freedom\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImpressive cinematic expression\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapture the impossible with expanded ISO sensitivity\u003c\/strong\u003e\u003cbr\u003eCapture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003eRealise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic colour science with S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eS-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLarge pixels deliver high sensitivity and low noise\u003c\/strong\u003e\u003cbr\u003eThe full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowerful BIONZ XRTM image processor \u003c\/strong\u003e\u003cbr\u003eThe BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImpressive dynamic range for limitless expression\u003c\/strong\u003e\u003cbr\u003eAt its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTransform your shooting creativity\u003cbr\u003e\u003cbr\u003eFast Hybrid AF for accuracy and tenacity\u003c\/strong\u003e\u003cbr\u003eThe wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReal-time Eye AF and Face Detection supported\u003c\/strong\u003e\u003cbr\u003eReal-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowerful focus control for solo shooters\u003c\/strong\u003e\u003cbr\u003eWith AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens-ring AF subject selection\u003c\/strong\u003e\u003cbr\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto focus area\/position\u003c\/strong\u003e\u003cbr\u003eFor auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 120fps with every frame in focus\u003c\/strong\u003e\u003cbr\u003eHigh Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S\u0026amp;Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus with Sony E-mount lenses\u003c\/strong\u003e\u003cbr\u003eExperience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in electronic Variable ND Filter\u003c\/strong\u003e\u003cbr\u003eThe FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1\/4ND to 1\/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability and expandability for professionals\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight, modular and robust\u003c\/strong\u003e\u003cbr\u003eDespite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGrab and shoot mobility\u003c\/strong\u003e\u003cbr\u003eIdeal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMagnesium body and frame for high durability with light weight\u003c\/strong\u003e\u003cbr\u003eTo perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArchitecture to prevent thermal shut down\u003c\/strong\u003e\u003cbr\u003eThe custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit 4:2:2 recording\u003c\/strong\u003e\u003cbr\u003eRecord right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAll-Intra encoding available\u003c\/strong\u003e\u003cbr\u003eAs well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.\u003cbr\u003e[1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e16-bit RAW SDI output \u003c\/strong\u003e\u003cbr\u003eFor demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates10.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShooting modes that match creator workflows\u003c\/strong\u003e\u003cbr\u003eThe FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 \/ S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eScene File function allows easy look changes on-site\u003c\/strong\u003e\u003cbr\u003eFour preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemarkable smart grip and smart handle\u003c\/strong\u003e\u003cbr\u003eSony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional connectivity\u003c\/strong\u003e\u003cbr\u003eA wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Interface (MI) Shoe\u003c\/strong\u003e\u003cbr\u003eSony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for four-channel audio input and recording\u003c\/strong\u003e\u003cbr\u003eFour-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual XLR inputs and enhanced audio capability\u003c\/strong\u003e\u003cbr\u003eThe handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-definition 2.76 million-dot13 flexible LCD panel\u003c\/strong\u003e\u003cbr\u003eThe 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eQuick menu control with touch operation\u003c\/strong\u003e\u003cbr\u003eThe LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO\/sensitivity, shooting mode and audio levels.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr\u003eDual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNetworked for high mobility\u003c\/strong\u003e\u003cbr\u003eWi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMetadata facilitates editing in Catalyst \u003c\/strong\u003e\u003cbr\u003eThe FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eThe FX6 Cinema Line Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. 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The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003eRealise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic colour science with S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eS-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLarge pixels deliver high sensitivity and low noise\u003c\/strong\u003e\u003cbr\u003eThe full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowerful BIONZ XRTM image processor \u003c\/strong\u003e\u003cbr\u003eThe BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImpressive dynamic range for limitless expression\u003c\/strong\u003e\u003cbr\u003eAt its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTransform your shooting creativity\u003cbr\u003e\u003cbr\u003eFast Hybrid AF for accuracy and tenacity\u003c\/strong\u003e\u003cbr\u003eThe wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReal-time Eye AF and Face Detection supported\u003c\/strong\u003e\u003cbr\u003eReal-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowerful focus control for solo shooters\u003c\/strong\u003e\u003cbr\u003eWith AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens-ring AF subject selection\u003c\/strong\u003e\u003cbr\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto focus area\/position\u003c\/strong\u003e\u003cbr\u003eFor auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 120fps with every frame in focus\u003c\/strong\u003e\u003cbr\u003eHigh Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S\u0026amp;Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutofocus with Sony E-mount lenses\u003c\/strong\u003e\u003cbr\u003eExperience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in electronic Variable ND Filter\u003c\/strong\u003e\u003cbr\u003eThe FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1\/4ND to 1\/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability and expandability for professionals\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight, modular and robust\u003c\/strong\u003e\u003cbr\u003eDespite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGrab and shoot mobility\u003c\/strong\u003e\u003cbr\u003eIdeal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMagnesium body and frame for high durability with light weight\u003c\/strong\u003e\u003cbr\u003eTo perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArchitecture to prevent thermal shut down\u003c\/strong\u003e\u003cbr\u003eThe custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e10-bit 4:2:2 recording\u003c\/strong\u003e\u003cbr\u003eRecord right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAll-Intra encoding available\u003c\/strong\u003e\u003cbr\u003eAs well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.\u003cbr\u003e[1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e16-bit RAW SDI output \u003c\/strong\u003e\u003cbr\u003eFor demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates10.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShooting modes that match creator workflows\u003c\/strong\u003e\u003cbr\u003eThe FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 \/ S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eScene File function allows easy look changes on-site\u003c\/strong\u003e\u003cbr\u003eFour preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRemarkable smart grip and smart handle\u003c\/strong\u003e\u003cbr\u003eSony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional connectivity\u003c\/strong\u003e\u003cbr\u003eA wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Interface (MI) Shoe\u003c\/strong\u003e\u003cbr\u003eSony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupport for four-channel audio input and recording\u003c\/strong\u003e\u003cbr\u003eFour-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual XLR inputs and enhanced audio capability\u003c\/strong\u003e\u003cbr\u003eThe handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-definition 2.76 million-dot13 flexible LCD panel\u003c\/strong\u003e\u003cbr\u003eThe 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eQuick menu control with touch operation\u003c\/strong\u003e\u003cbr\u003eThe LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO\/sensitivity, shooting mode and audio levels.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr\u003eDual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNetworked for high mobility\u003c\/strong\u003e\u003cbr\u003eWi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMetadata facilitates editing in Catalyst \u003c\/strong\u003e\u003cbr\u003eThe FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eThe FX6 Cinema Line Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. 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The Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor delivers images with high sensitivity and low noise, at up to 120fps* in 4K, 240fps in FHD. Preserve every detail with full-pixel readout and real-time BIONZ XR™ image processing, while compatibility with 709tone and S-Cinetone™ makes colour-matching to Cinema Line and Sony system cameras easy.\u003cbr\u003e\u003cem\u003e* With approx. 23% crop. Please refer to Operating Instructions for minimum memory card requirements to ensure correct operation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntelligent features for smarter shooting\u003c\/strong\u003e\u003cbr\u003eDepend on Sony innovations that help you to capture the best content possible. Our advanced AI Processing Unit can recognise human subjects, while the Fast Hybrid AF system tracks your subject and maintains precise focus at all times. An Electronic Variable ND Filter means you can achieve the best exposure for your shots, in a wide range of lighting conditions, or the Auto ND function will automatically set optimal exposure for you.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReliable streaming and broadcast TV friendly connectivity\u003c\/strong\u003e\u003cbr\u003eBuilt-in 2.4 GHz and 5 GHz* Wi-Fi – in concert with our C3 Portal (paid) or XDCAM Pocket apps – powers simple, high-quality streaming direct from the camera. Remote operation via our Monitor \u0026amp; Control** app allows you to check angles and monitor shooting from your smartphone or tablet. The Z200 also offers built-in 12G-SDI with four-times the bandwidth of 3G-SDI over a single cable, TC input \/ output and broadcast friendly XAVC (MXF).***\u003cbr\u003e\u003cem\u003e* 5 GHz communication may be restricted in some countries and regions.\u003cbr\u003e** Monitor \u0026amp; Control is available from Google Play Store and Apple App Store, free of charge.\u003cbr\u003e*** Support planned for June 2025 or later.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e1.0-type Exmor RS CMOS sensor\u003c\/strong\u003e\u003cbr\u003eFor imaging performance otherwise unobtainable for a compact camcorder, the Z200 relies upon large approx. 14.0 megapixel (effective) 1.0-type Exmor RS CMOS image sensor. Its unique stacked structure – with back illuminated pixels layered over integrated signal processing circuits – enables both faster read-out speeds and superior low-light performance due to more light reaching the sensor.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBIONZ XR image processing\u003c\/strong\u003e\u003cbr\u003eIntegrated within the image sensor, our latest generation BIONZ XR image processor enables higher frame-rates, faster autofocus, improved Auto Tracing White Balance (ATW) control and superior noise reduction. It extracts maximum performance from the high-resolution image sensor, effortlessly capturing the most subtle textures and finest detail. 5K oversampling with full-pixel readout condenses ample image information into stunning 4K (3840 x 2160) 60p video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnhanced White Balance Accuracy\u003c\/strong\u003e\u003cbr\u003eThe Z200’s Auto Tracing White Balance (ATW) control has evolved alongside the BIONZ XR and AI capabilities. The camera’s AI Processing Unit enables more precise ATW control, even in challenging lighting conditions, such as when the targeted person is in shadow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced AI Processing Unit for next generation AF\u003c\/strong\u003e\u003cbr\u003eA specialised AI Processing Unit, working in concert with BIONZ XR, uses deep learning based on the human form and posture data to recognise human subjects with high precision. The Fast Hybrid AF system offers wide 81% coverage to better support Subject Recognition AF and Real-time Tracking. The Z200 can effortlessly track and maintain focus on subjects just about anywhere in the frame.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto Framing*\u003c\/strong\u003e\u003cbr\u003eWith Auto Framing engaged the camera will automatically track a recognised human subject and adjust framing so that the subject is always prominently positioned in the frame. The resulting footage can look as though a human operator was manually adjusting framing throughout a shoot – even though the camera was actually stationary the entire time. Solo operators can concentrate on engaging with an interviewee without constantly checking on camera positioning.\u003cbr\u003e\u003cem\u003e* 4K footage is cropped, resulting in a narrower angle of view. Please note this image was shot on the HXR-NX800.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K 120fps* for stunning slow-motion footage\u003c\/strong\u003e\u003cbr\u003eThe high readout speed of the Exmor RS sensor enables 4K high frame rate (HFR) recording at up to 120fps and FHD at 240fps. Achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. Whatever your creative choice, high speed AF helps ensure your subject is kept in focus. Slow \u0026amp; Quick Motion** is supported for up to 4K 120fps and FHD 240fps recording.\u003cbr\u003e\u003cem\u003e* With approx. 23% crop. 100fps\/200fps in PAL mode. Please refer to operations manual for minimum memory card requirements to ensure correct operation.\u003cbr\u003e** Audio is not recorded in Slow \u0026amp; Quick Motion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20x optical zoom\u003c\/strong\u003e\u003cbr\u003eOne superb 20x power zoom G Lens™ covers everything from wide angle in-car interviews to telephoto close-ups for sports. Delivering an optical zoom range of 24-480 mm (35mm full-frame equivalent), it’s backed up by Sony’s Clear Image Zoom technology, which adds the ability to achieve 30x zoom when recording 4K or 40x zoom in FHD. And you can explore maximum apertures of F2.8 (wide) and F4.5 (telephoto) while zooming quickly, smoothly and silently.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced image stabilisation\u003c\/strong\u003e\u003cbr\u003eMinimise the effects of camera shake with built-in image stabilisation. Make sure of smooth, stable footage in Active Mode* image stabilisation, where optical and electronic stabilisation work together to make handheld shots glide effortlessly.\u003cbr\u003e\u003cem\u003e* Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S\u0026amp;Q.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Electronic Variable ND Filter\u003c\/strong\u003e\u003cbr\u003eSeamlessly adjust the Electronic Variable ND Filter to suit a variety of light levels. Move from 1\/4 to 1\/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the optimum exposure for you—especially useful when moving quickly between indoor and outdoor environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAccurate LCD monitor and OLED viewfinder\u003c\/strong\u003e\u003cbr\u003eEasily monitor and focus subjects with a new 3.5-type LCD monitor that offers approximately 27.6 million-dots with outstanding brightness and clarity. The monitor swings up and down as well as backward, so finding a comfortable viewing angle is easy. The supplied LCD hood is easily installed by sliding it into the grooves in the top and bottom of the LCD monitor, while the monitor can be folded away for storage even with the hood installed.\u003cbr\u003e\u003cbr\u003eFor clear, undistracted viewing, the high-contrast 0.39-type OLED viewfinder shuts out extraneous light while offering approximately 23.6 million-dots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact design and storage\u003c\/strong\u003e\u003cbr\u003eEasily fold the EVF and LCD panel away for storage of this lightweight camera. The Z200 (main body only) weights approximately 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm (7 inch) x 201.3 mm (8 inch) x 371.1 mm (14 5\/8 inch) (WxHxD), but when for storage, these dimensions fall to 175.6 mm (7 inch) x 175.4 mm (7 inch) x 285.1 mm (11 1\/5 inch) (WxHxD)*. The microphone holder can be detached from the camera for even greater portability.​\u003cbr\u003e\u003cem\u003e* Without the lens hood, the microphone holder and the large eyecup.​\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible camera control\u003c\/strong\u003e\u003cbr\u003eThe Z200 is designed with the flexibility to operate according to your individual preferences and workflow demands. Two independent control rings for focus\/zoom [1]* and two dials for IRIS\/ND Variable [2] are located side-by-side, allowing for effortless control of exposure along with focus and zoom. The Z200 also has 12 user assignable buttons (ASSIGN 1-11 [3] and FOCUS PUSH AUTO button [4]) that you can set to control almost any camera feature.​\u003cbr\u003e\u003cem\u003e* Iris control will be assignable to a control ring in June 2025 or later.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAUTO\/MANUAL switch\u003c\/strong\u003e\u003cbr\u003eIf shooting conditions suddenly disrupt your plans, you can automatically adjust settings and maintain ideal brightness and white balance with a single switch. When set to AUTO, it engages Auto ND Filter, Auto Iris, Auto Gain Control, Auto Shutter, and Auto White Mode.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic and broadcast base looks\u003c\/strong\u003e\u003cbr\u003eAchieve the look of professional broadcast or film productions with ease. Use presets for S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild and HLG Natural, then adjust black, matrix and other parameters as desired. Easily colour match your footage with content shot on Sony’s other broadcast and Cinema Line cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple recording options\u003c\/strong\u003e\u003cbr\u003eThe Z200 offers a variety of recording formats to suit your individual project requirements. XAVC (MXF)* provides enhanced compatibility for MXF-based broadcast TV workflows. XAVC S-I offers highest quality 10-bit 4:2:2 recording for 4K (QFHD) using post-production friendly Intra-Frame H.264. XAVC HS-L (H.265) and XAVC S-L (H.264) offer a choice of 4:2:2 or 4:2:0 with Long GOP recording for extended recording times and file-saving efficiency. XAVC HS Proxy recording of up to 16 Mbps can be recorded simultaneously with higher bit-rate formats, and these smaller proxy files can then be used for editing and previewing prior to final production delivery.\u003cbr\u003e\u003cem\u003e* Supported from June 2025 or later.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComprehensive connectivity\u003c\/strong\u003e\u003cbr\u003eUse SDI output (12G, 6G, 3G Level A \u0026amp; B, and HD), as well as TC input and output, for proxy recording and multi-camera productions. Connect with external equipment through HDMI Type-A, USB Type-C®, LAN, REMOTE, and a range of other connectors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWireless monitoring and remote control\u003c\/strong\u003e\u003cbr\u003eCheck angles remotely, before shooting, then monitor and control the camera, all thanks to built-in 2.4 GHz and 5 GHz Wi-Fi connectivity*. Download the free Monitor \u0026amp; Control app to record, touch focus, adjust iris, and more**.\u003cbr\u003e\u003cem\u003e* 5 GHz may be restricted in some regions\u003cbr\u003e** Monitor \u0026amp; Control is available from Google Play Store and Apple App Store\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-channel audio\u003c\/strong\u003e\u003cbr\u003eRecord up to four channels of audio by combining inputs via XLR connectors and the Multi Interface (MI) Shoe. Adjust levels for two of the channels using audio level dials, without accessing device menus. Together with the SMAD-P5 adapter, our UWP-D Series lets you capture pristine audio – quickly, reliably and with no fuss.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for live streaming\u003c\/strong\u003e\u003cbr\u003eStream directly to compatible live streaming services and video sharing sites, via a hard-wired or Wi-Fi connection. RTMP\/RTMPS or SRT protocols make it easy for a single operator to efficiently manage everything from recording to distribution. Additional apps and technologies allow you to do even more:\u003cul\u003e\n\u003cli\u003eCreator’s Cloud for enterprise C3 Portal (paid)* and XDCAM Pocket applications use Sony’s original QoS technology support high-quality streaming.\u003c\/li\u003e\n\u003cli\u003eCreator’s Cloud for enterprise M2 Live application (paid)* enables broadcast\/distribution for multiple cameras.\u003c\/li\u003e\n\u003cli\u003ePDT-FP1 Portable Data Transmitter* offers stable, continuous high-speed data transfer and wide coverage of bands, including LTE, and both 5G Sub6 and mmWave.​\u003c\/li\u003e\n\u003cli\u003eCBK-RPU7 Remote Production Unit allows low-latency transmission of high-quality images via an SDI connection.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cem\u003e* Availability limited to specific regions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSimple file transfers\u003c\/strong\u003e\u003cbr\u003eEasily upload proxy and original clips to a cloud or FTP server, straight from the memory card. After registering the destination server in the camera, recorded files are transferred automatically whenever recording stops. Proxy clips can even be recorded in segments and sequentially transferred during recording.\u003cbr\u003e\u003cbr\u003eThe Creator’s Cloud for enterprise C3 Portal (paid)* application makes cloud transfers easy, so video files are available for editing and sharing even sooner.\u003cbr\u003e\u003cem\u003e* Availability limited to specific regions\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual memory card slots\u003c\/strong\u003e\u003cbr\u003eRecord on two cards simultaneously or use relay recording to back-up your content. Dual memory card slots support both CFexpress Type A and SD memory cards.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDependable battery power\u003c\/strong\u003e\u003cbr\u003eQuickly charge BP-U35, BP-U70 or BP-U100 lithium-ion batteries using the BC-U1A or BC-U2A charger (batteries and charger sold separately). Continuous operating time with a BP-U35 battery is approximately 90 minutes. Swap batteries between other Sony cameras, including the PXW-Z280 and PXW-Z190 camcorders, as well as the FX9 and FX6 Cinema Line cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal fan and vents\u003c\/strong\u003e\u003cbr\u003eMaintain optimum operating temperature, thanks to a built-in cooling fan and carefully designed vents.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAccessibility\u003c\/strong\u003e\u003cbr\u003eA screen reader function* means you can have menu screens read aloud with user-selected volume and reading speed. 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Easily control your cameras settings, start\/stop record, get a live image transmitted to your photo, or download videos and photos directly to your smartphone.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eRecords 1080p at 60 FPS\u003c\/li\u003e\n\u003cli\u003eNew HD 2 inch LCD screen\u003c\/li\u003e\n\u003cli\u003eNew Slim Waterproof Housing\u003c\/li\u003e\n\u003cli\u003eUp to 120 FPS slow motion\u003c\/li\u003e\n\u003cli\u003eWiFi Connection via Safari 4 App\u003c\/li\u003e\n\u003cli\u003eVideo Preview on Smartphones\u003c\/li\u003e\n\u003cli\u003eSharing to Social Media via App\u003c\/li\u003e\n\u003cli\u003eUltra-wide 170° ‘fisheye’ lens\u003c\/li\u003e\n\u003cli\u003eUp to 70 minutes per charge\u003c\/li\u003e\n\u003cli\u003eLots of included mounts and adapters\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optex","offers":[{"title":"Default Title","offer_id":51798837657899,"sku":"SAFARI4HD","price":99.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8610\/2571\/files\/17UINRnZlT1sVi2GFmOoNw_8e4a6861-2042-434e-b873-141c1bd211b2.jpg?v=1769603313"},{"product_id":"safari-5-4k","title":"Safari 5D","description":"Capture all your adventures in high resolution with the action camera Safari 5D. 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